November 2011 \ Features \ 10 Tech Tips from Touring Pros

10 Tech Tips from Touring Pros

Chris Kies

From string changes to amp maintenance to networking, techs to the stars tell you how to maintain your setup like a pro.


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Photo: Maroon 5 tech Mike Buffa (left) and guitarist James Valentine (right) get friendly with Matchless' Phil Jamison.

Appleton: When it comes to being a tech or aspiring tech—be observant and learn from other techs and players around you. If you don’t know the answer or how to do something, don’t be afraid to ask questions. Never think that you know it all—that is the day you should work at grocery store. When it comes to being a player, talk to everyone and shake hands because being friendly only helps you get you more gigs, open more doors, and add professional contacts.

Buffa: I can’t begin to think of how many doors and opportunities have been opened for my career and me just because I went up to someone and talked to them about gear or guitar. It seems so simple and trivial, but whether it’s getting gigs when I was in a band, meeting one of my current best friends [former Mesa/Boogie rep Mark Snyder] because I had problems with an amp and he was the company’s rep, or talking to other techs while at gigs and festival and lining up other jobs that way. I can tell you how and when I got every gig—it might not happen when you meet someone, but people know people so be personable and meet as many people as possible.

Francis: It all started for me when my brother and I piggybacked off his success. He was mixing front of house for the Joe Perry Project in ’83 and I just got to know Joe because we always talked guitars. At one point he needed a tech and because we had covered the topic so much, Joe approached me about tech’ing for him and I’ve been doing it ever since. [Laughs] He trained me pretty well. If nothing else, don’t be afraid to open doors for yourself and just talk shop with people—you’ll never know who’ll you’ll get connected with.

Trejo: Always be willing to help someone out—even if it’s not your job or it’s an opening act—it could pay off. For me, I was in El Paso, Texas, watching my friend’s band called At the Drive-In. I was one of five people in the club. I remember seeing Omar flailing onstage and then he broke a string. He grabbed his only backup and broke a string on that one, too. He started to change the string in the middle of the song! [Laughs] So I decided I had to step in and help him out. After the show, the thankful guitarist asked if I’d come to the next show. And I’ve been right there for him ever since—14 years and counting.


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Comments

(18 comments) display by
UsernameComment
DeathMetalle r
on 01/29/2012
I liked it.
chris
on 11/23/2011
What did the article say speficially about maintaing inntonation?
Bill Pokora
on 11/21/2011
This was a great article. Not only does it help aspiring techs and gearheads, but it should be valuable information to any gigging musician. Most of us will never be successful enough to have our own techs, but most of us will have the joy and agony of playing live and having issues. These tips can really save you at a bar gig or at church on Sunday!
Thanks to all of you! Keep up the good work!
Steve Janowski
on 11/16/2011
@Herm I can't really see the relevance of your comment, dude. It's 10 Tech Tips, not 10 reasons to be a tech or something of that nature. I don't need to know how much these guys make in order to help my tone or save me in my next gear malfunction. WTF?!
Gerry Blue
on 11/15/2011
Amazing article, keep it up, video of these interviews would've been great. Peace
Richard Owen
on 11/13/2011
Fine article.
Brett H
on 11/12/2011
I remember going to 2 shows where things went haywire. One was a GNR concert and Power got cut to Axl's Stage Mic. I read somewhere he went through more sound guys then anyone in the business but you could still hear Axl singing from afar until it was fixed. Another was a Shina Twain concert with a few other people whom I forget. I am really not into country music but some buildings you go into are not very acoustic. Lee Civic Center is one of them and they had a 2200 Watt Pignose amp and they were using that for EVERYTHING (lets just say the steel on the erected building was reverbing as well). I couldn't even understand a word but I was there for my awesome daughter who won tickets, doesnt matter if I liked the show. Theres a bunch of work that goes into a show and one thing off can make or break an evening, and these guys pull it off night after night.
Rick Lee
on 11/11/2011
Great article - one of the best you have done. Much thanks to the guys for contributing the info.
John Bohlinger
on 11/11/2011
Brian and I were on the road together 15 years ago with a platinum artist on Asylum Records who is now long gone ....yet we continue to work. Must be doing something right.
kalapana
on 11/10/2011
Great article....seen Brian Farmer work his magic several times with Gov't Mule and Warren Haynes band..he's a credit to his profession...never heard a better backline or seen a more professional Tech...



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