October 2011 \ Gigging & Recording \ The Working Guitarist \ 10 Accessories You Can't Forget at a Gig

10 Accessories You Can't Forget at a Gig

Peter Thorn

Most of the things on this list are no-brainers—until they're not there when you need them!


Premier Guitar October 2011

The devil’s in the details they say. Sure, you’ve got the fun stuff sorted—the amps and guitars that make up your rig. But there’s more to it when you’re gigging or doing sessions. Every working guitarist needs some basic accessories and tools in their gigbag in order to truly be ready for multiple situations. You may think that most of the things on this list are no-brainers—until they're not there when you need them!

The Basics: Picks, Strings, Straps, and Cables
Most people (fingerpickers aside) pretty much can’t function comfortably (or at all) without these basics—but that doesn’t mean it’s always a given that you have extras. In fact, I find it really helpful, especially at sessions, to have a variety of picks on hand. Switching picks can radically change the sound of a part, especially on acoustic guitar. While for electric guitar I normally gravitate towards the Dunlop Ultex pick in a .73mm thickness, in the studio I tend to use much lighter picks for strummed acoustic guitar parts. I like how they smooth out the sound, and with thinner picks you tend to not hear as much pick noise, important when sitting in front of sensitive mics, especially if the part is being compressed.

And while you’re unlikely to forget the cable you need to plug in, you can never have enough extras—guitar cables, speaker cables, power cables, TRS (stereo) cables for footswitches... the works. In my experience, they are the weakest link in your chain, and they are the first place to look if you have a problem, so have spares on hand!

Slides
My slide skills are pretty basic, but on pretty much every sideman gig I’ve done, I’ve needed to bust out a slide for at least a song or two. Just like picks, slides all sound different, and it’s good to take a couple different varieties to gigs and sessions. I really dig ceramic and glass slides, because they seem to sound warmer, smoother, and have better sustain than metal or chrome variants, but I always have at least one chrome slide on hand in case that’s the sound I need.

Capos
Capos are the bane of my existence! I’ve probably bought a thousand in my lifetime, and yet I can never find one when I need one, it seems. But need them I do! They are essential on most gigs and sessions, so find one you like and keep it around at all times. I tend to stay away from clamp capos that you can’t adjust the tension on, for me they just create tuning problems.

Strap Locks
Good strap locks are essential! My instruments are expensive and I want to prevent mishaps as much as possible, and strap locks are a good insurance policy. I always have a couple sets of spare strap locks on hand, in case I lose a strap and I need to install them on a new one, or I need to install the strap locks buttons on a new guitar.

Volume and Expression Pedals
I use a volume pedal in front of my amps, and an expression pedal to control things like delay mix. Volume pedals run in front of an amp are usually high impedance (250K pot), and expression pedals are low impedance (25K pot). And because they are mechanical by design, they can wear out or get noisy or inconsistent. I always carry a spare of each variety! I’m so used to using these pedals now on gigs, I’d hate to be without either.

Power Adapters
You need 9V DC adapters for most effect pedals, but some pedals need 12V, 15V, or 18V, and some 9V pedals require at least 300ma. Make sure you have what you need for backups in case your main pedal power supply fails! MIDI controllers sometimes require 9V AC adapters, and it’s always good to have one of these on hand, even if your midi controller gets phantom power from your rack effect units. I was caught without one recently and for some reason my MIDI controller didn’t want to power up via phantom power. After repeated unplugging and plugging in of my MIDI cable, the controller finally powered up, but I made sure to bring out a spare 9V AC adapter from that point on!

Batteries
It’s always good to have a few of these on hand! It seems obvious that you should have some on hand, but I must admit this “working guitarist” has overlooked batteries. Recently I was doing a benefit gig with Slash, and I was playing acoustic. Easy, right? Just show up with my guitar, which has a tuner built in... My Gibson J180 went dead seconds before we went on! I hadn’t changed the battery in some time, and I didn’t have one in my case. Luckily, a tech had a 9V at the ready, and popped it in—boom, back up and running. Whew. Lesson learned!

Tools
Always good to have truss rod wrenches for all of your guitars, a string winder, screwdrivers, wire cutters, polish and polish cloths, and—don’t laugh—fingernail clippers! I don’t know about you, but it drives me crazy when my nails are just a bit too long on my left hand, so it’s always good to have clippers and/or a file on hand.

Microphones and Mic Cables
Sometimes the mics you find in clubs or even at bigger gigs can be suspect—you never know how many times they’ve been dropped or hit by errant drumsticks. And there’s nothing like a stinky old SM58 vocal mic! So, it’s a great idea to carry an all purpose workhorse like an SM57 or 58, and a cable, just in case the you run into a questionable situation.

That's all for this week! Feel free to add your must-have gear in the comments section below, and let me know if there are any topics you'd like to see covered in the future!


Pete Thorn is a Los Angeles-based guitarist, currently touring with Melissa Etheridge. His solo album Guitar Nerd will be out in early 2011.You can read more about his career and music at peterthorn.com.

     

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Comments

(11 comments) display by
UsernameComment
The Telenator
on 10/17/2011
I guess some of you haven't noticed, but they make a little box-like area in almost all guitar cases to hold this junk. Anybody dumb enough not to fill it with extra picks and the like deserves to fail. That bit about extra strap locks is just plain ridiculous -- 40+ years in the business and never heard that nonsense. How about buy yourself a nice expensive strap or two, then you won't be dumb enough to loose it. People have made me straps, and I'm not stupid enough to insult them by losing one. Bottom line: you guys are really reaching sometimes to look helpful, intelligent AND fill these pages, aren't you? Give it a rest already. Oh, and you did forget the most important of all -- that DUCT TAPE!
JohnyP
on 10/14/2011
Duck tape!!!!
Donirvin
on 10/13/2011
I have an Ibanez AEL20E which has both 1/4" & xlr outs, so you have a backup plan, if 1 system goes down. You can always leave a pick sticking out of the pickguard of yer tele, as a backup.
Spanky
on 10/13/2011
1) Take an extra long black extension cord and power strip. 2) Take tools, 3) Take mic and cables, 4) extra strings/picks, 5) backup amp/guitars. Those to me are the most important. That's it for me. I plug str8 into the amp so no need for batteries or adapters and I don't like capos nor use slides. Never used a strap lock in my life and play every weekend for 35 years. Most dings/damage come from leaving it on stage while someone is loading/unloading or having to backline. I use guitar volume knob, no need for volume pedal. I see your point, but I don't think those things are essential unless your music calls for it.
Phil
on 10/13/2011
"Always have a back up tuner..." There's an app for that!
gilly zoom
on 10/13/2011
My gigbag has pretty much the same stuff that Mr Thorns has including nail clipers for pesky A minor chord.I also include blutack it can be used to tape a lose wire onto a pot to get you thru a show,I have done this. I also keep a tuning fork its small and covers you if you forget your tuner.Last but not least as I don't smoke I keep a couple of new unused picks in my car ashtray they are the backup plan.I once read an interview with Steve Cropper and he said that what he considered as a professional guitarist was not the guy that could play the best but it was the guy who was usually prepared and had spare batteries etc.Finally if you are a Bigsby player carry a small eraser with you this can then be jammed under the string at the Bigsby end where the strings attach.Thus holding it in place until you can get the sting up to tension hope all this info helps someone.I almost forgot I also have a mini Maglite in my gigbag "let there be light" when you need light.
triad
on 10/12/2011
Bring the MA-202 package from Ampridge. If your amp goes down just use the adapter to connect two instruments into another amp. If the PA dies use the mic adapter to make your amp into a PA. And don't forget gaffers tape. You never know when a wire needs to be taped down so you don't trip on it.
Chris
on 10/12/2011
Bring a DI Box if you can spare it as well. If it's active, make sure that the battery/batteries or power supply are all functioning. There have been times when my amp has gone on the fritz, or the power in a venue hasn't been able to run everything. Going direct to the board has saved me more times than I can think of.
johnny
on 10/12/2011
Always have a back up tuner...
Andrew Meyer
on 10/12/2011
Just played a gig last week with my band; I made sure to bring spare tubes, fuses, instrument cables, power strips, batteries, etc. I even brought a spare amp head (since I can't really trust my amp as far as I could throw it, and it weighs 50 pounds...). Of all things, no one brought extension cords. We got there and found out that in the whole "stage" area there were no outlets; the closest outlets were at least 20 feet away and there were only two of them not in use (god forbid we unplug their light up trees...). Luckily the other band lent us a couple cords and we were able to play for the best crowd I've ever seen...



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