October 2011 \ Eye Candy \ Gear Search Gallery \ 1986 Fender Super Champ Deluxe

1986 Fender Super Champ Deluxe

Seth Hansen

The ’86 Super Champ Deluxe featured here is one of the last examples of the modern circuitry upgrades that were housed in a more traditional package.


Premier Guitar October 2011


In response to a steep decline in amplifier sales in the late ’70s and early ’80s, Fender restructured their amplifier design team in 1982. Managed by Paul Rivera—of Rivera Amplification fame—the team moved quickly in creating the II Series of Fender Amps, which were produced until 1986. Often called “Rivera-era amps,” this line included recognizable model names like the Showman, Deluxe Reverb, and Twin Reverb, as well as new models, like the Studio Lead, London Reverb, and Montreux. Each model sported one or more modern upgrades, including master volume controls, channel switching, active tone controls, graphic equalizers, and effects loops, among others.

The ’86 Super Champ Deluxe featured here is one of the last examples of the modern circuitry upgrades that were housed in a more traditional package. With a nod to the early days of Fender Tweed amplifiers, the Super Champ Deluxe amps came with a natural oak cabinet and brown grille cloth. Two 6V6GTs pumped 18 watts of power into a 10" speaker, while a Master Volume knob controlled the overall output volume. Pulling out the Volume knob, or hitting a button on the optional footswitch, engaged a mid-gain lead channel, re-routing extra gain from the 12AT7 tube driving the reverb on the clean channel. A second Lead Level knob controlled output for this lead channel. If the player needed some extra cutting power, a tug on the Treble control resulted in a strong midrange boost.


Thanks to Glenn Weatherford for listing this amp on Gear Search. Whether you’re looking for a vintage piece or the latest on the market, there’s a great chance you’ll find it at Gear Search. More than 47,000 pieces of gear are listed, including some of the rarest gear in the world.

     

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Comments

(5 comments) display by
UsernameComment
thomas
on 02/26/2013
I also have one of these amps and I will sell it. If somebody is intrested, pls. contact me at thomas.deckert@me.com The amp is in a condition like new. I own it since three years and the pre-owner always kept it in a specially manufactured case. Price is 2200,- €.
Thomas
on 02/26/2013
I also have one of these amps and I will sell it. If somebody is intrested, pls. contact me at thomas.deckert@me.com The amp is in a condition like new. I own it since three years and the pre-owner always kept it in a specially manufactured case. Price is 2200,- €.
DetroitBlues
on 12/06/2012
Sow what's the difference between this model and the Super Champ from the same years? Oak Cabinet and grill cloth "upgrade"?
Rob Lewis
on 12/07/2011
I wrote almost all of the "new Fender's" ads and sales materials in the early 1980's. If you remember their advertising tag line "The Sound that Creates Legends"--that was me. This amp (an early sample built by Rivera to take to a trade show in Europe) was one of the goodies they gave me to show their appreciation. It's a real sweetheart. (I still have a "Malibu" acoustic guitar with actual Malibu beach sand still inside it from when we shot the ad.)
Heavy Kevy
on 12/04/2011
I have one of these. I purchased it in Edmonton, Alberta from Hank Smith Music on 118th Avenue circa 1985. I walked into the store and noted there were two Super Champs, this one and a black tolex. The price tag on the blackie was $585 and the oak was $1485. I asked why the difference? It was a limited edition with special materials and a huge magnet Electrovoice speaker. Hefty little amp. I test-drove the unit and found the distortion via pull-knob circuit was tone deluxe. Ii had to have it. paid a lot less for it cash, as my family and I had a band and we were loyal customers. A month later, I got a call from Hank. Fender wanted it back and was willing to give me the full price for it, $1485. I still have the amp. The 12AT7 reverb/distortion tube quit circa 2003. I replaced it with a Fender 12AX7. It sweetened that distortion even more. Rich harmonics. The amp still has the brown soft-cover it came with and the original LED reverb/lead footswitch works great. I got a hard roadcase custom built for it and got another footswitch off of ebay for low. This is a perfect studio amp. The line out gives excellent tones of all kinds. I also use this in a amp-into-amp setup to give huge tones. I'll die with this amp in my possession.



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