Of the many companies that have produced guitars and guitar-related equipment through the years, Cort is certainly one of the most prolific and well-known. There’s a simple reason for this. For many of us, our first guitars were Corts. They’re one of those companies that has managed to produce a wide range and unbelievable amount of instruments—rivaling the amount of some of the industry’s most heralded brands. Big-name players have come onboard with Cort, with signature models designed for Matt “Guitar” Murphy (Muddy Waters, The Blues Brothers Band) and Gene Simmons (KISS). Recently, the company began a partnership with German company Sandberg Instruments, with the intent of producing a line of basses that play and sound like high-end, high-priced counterparts—without the sticker shock. One such bass—dubbed the Arona 5—attempts to take on the large tonal territory of the 5-string bass, with an infusion of tightness and clarity that isn’t normally associated with this style of instrument.
A Match Made in Heaven
The Arona series was developed in conjunction with Sandberg Instruments. Over the years, Sandberg has made quite a name for itself in the boutique guitar and bass market, with their modern, stylistic body-designs, quality builds, and instruments with a balanced tone across the tonal spectrum.
Sandberg’s influence was most immediately apparent in the shape and
style of the body itself. The Arona 5’s 7.7-pound swamp ash body has a
rather large and extended upper horn, jutting out in length to the same
territory of the neck’s 12th fret. The lower horn has a deep, contoured
cut that allowed my hand a considerable amount of access to the higher
frets of the neck, without any sort of discomfort or cramping. The
3-piece body doesn’t have any grain filler applied—so there are
noticeable pockmarks along the grain—and the review model was finished
with Cort’s Open Pore Brown Burst (OPBR). A simple, satin sealer locks
in the finish, completing the bass’ rustic look and feel. It’s not a
lack of quality control on Cort’s part to apply the body’s finish in
this way, but rather a conscious decision to give the body a unique look
and texture. Regardless, the fact that it doesn’t have a smooth-looking
sheen could be a deal breaker for some players after a bass with a more
The Arona 5’s electronics are without a doubt its biggest draw. Two
Desonic by Delano active pickups—a Jazz-F single-coil in the middle and a
heaping MM-R humbucker in the bridge—are screwed directly into the
body. Delano, another company based in Germany, specializes in producing
boutique pickups that are found in Sandberg’s higher quality, more
expensive models. The output of both pickups are governed by a single
Volume control, along with a 2-band EQ for bass and treble frequencies,
and a Blend knob to tip the balance of each pickup’s output. These
controls felt solid and sturdy to the touch and have a nice, satisfying
click at their midway points. Topping off the body’s accouterments is a
weighty Sandberg-designed bridge, crafted for top-loading each of the
bass’ five strings.
I was particularly taken aback by how well the 5th string kept a stellar amount of clarity from the first fret on up the neck, making it easy for me to carve out a sharp, bubbly tone that was perfect for slap and pop.
Attached to the body is a 34" scale, 24-fret, 3-piece maple neck carved with Sandberg’s C-shape profile, and topped with a robust-looking slab of rosewood with a 15 3/4" radius. Five sealed Sandberg-branded tuners keep the strings taut over the neck’s 24 frets.
Down Low and Dirty
The fruits of the Cort and Sandberg partnership proved to be quite formidable. Through a TC Electronic Classic 450 head and matching RS210 2x10 cabinet, the Arona pumped out throaty and defined lows with smooth midrange while I fingerpicked a hard blues groove. I was particularly taken aback by how well the 5th string kept a stellar amount of clarity from the first fret on up the neck, making it easy for me to carve out a sharp, bubbly tone that was perfect for slap and pop.
In a lot of instances, bassists who employ slap techniques forget just how fatiguing the resulting high end frequencies can end up being. A squeaky-clean, razor-sharp top end when a bassist is laying down an aggressive funk line can be downright irritating. Thankfully, the Arona’s smooth-sounding and highly-responsive pickups allowed me to keep those temple-tunneling frequencies in check by carefully changing my fingering-hand technique. Even though it was easy to back off the upper-mid and high-end cut by laying back with a more ginger approach, it really didn’t take much to keep the Arona’s in-your-face-tone tight and up-front. In fact, sometimes it was almost unavoidable. I have to stress again that the Sandberg pickups—especially the bridge humbucker—are extremely responsive and clear. Keeping the amp’s settings down to tamer regions is essential in making sure the bass and midrange doesn’t overpower everything else.
Cort and Sandberg also are due some high marks for the Arona’s speedy and comfortable neck. Basses of the 5-string variety aren’t necessarily known for high-playability—mostly due to their wider necks—but the Arona’s neck was a dream to work. Sliding up to the 24th fret and picking out melodies that slinked back to the 12th fret were effortless, and the bass’ tone kept its bouncy, distinct midrange even while playing the fretboard’s higher registers. And since the upper horn’s strap button jutted out to my left more than a conventional design, playing the bass while standing allowed me a huge amount of access to the upper frets. The end of the neck joint sat almost center against my gut, putting all the high notes of the bass right in front of me for quick access to fills and walk downs in the upper registers.
Cort’s Arona 5 is a great 5-string bass with an attractive price. The quality that Sandberg is known for has certainly shown itself here, along with their penchant for building clear, robust-sounding instruments. Its inherent tone is anything but subtle, yet funk and power-pop players that swoon over gutsy, full-on muscle should feel right at home with the Arona 5.
Watch the video review:
you need your bass tone to be as punchy and noticeable as your guitarist’s, sometimes even more so.
your bass tone tendencies lean more towards subtler tones with a wide spread.