April 2012 \ Features \ Roundup: 5 Hand-Held Multitrack Recorders Reviewed

Roundup: 5 Hand-Held Multitrack Recorders Reviewed

James Rotondi

We evaluate the features, audio quality, and design of five of the leading portable recorders to give you a leg up on tracking your guitars on the move.


Premier Guitar April 2012

(3 of 5)

Zoom H4N

• Rugged, shock-resistant build, XLR inputs, and high-quality stereo mics.
• Bright, readable LED display and easy learning curve.
• Four-Track mode with bounce capabilities and onboard effects.

Ratings

Pros:
Serious mics and a tough build, solid 4-track.

Cons:
Dated guitar models and vocal/studio effects.

Audio Quality:

Function/Design:

Materials:

Value:

Street:
$299

Zoom
samsontech.com

By most accounts, the Zoom H4 stereo and 4-track recorder was a serious slam-dunk when it was released in 2006, and the updated H4N ($299, street) trades on its predecessor’s savvy design while adding some cool extra features—a built-in mono speaker, a bigger, more readable display, a “stamina” mode to extend battery life while stereo recording, and an XY 90/120-degree built-in mic arrangement that Zoom argues makes for better center source intelligibility, a wide stereo field, and reduced phase issues. What’s more, the audio specs have improved with the H4N’s digitally controlled preamp. In addition to stereo and 4-track modes, the H4N now adds a “4CH” mode that allows for simultaneous recording of two separate stereo pairs—use the built-in mics for one pair, and the two phantom-equipped XLR/phone jacks for the other, and then mix the signals in surround or dual stereo.

The mics themselves are a clear step up from the H4, and the rubberized, shock-resistant build is heavier and tougher. The H4N compares well to a proper field recorder and its stereo imaging is excellent, on par with many more expensive devices. The H4N is even easier to use than its predecessor, with a scrolling and menu system that becomes second nature after a few hours (though you might want to do some deep-breathing exercises for those first few hours).

One place where the H4N clearly hasn’t grown up, though, is in its amp models and effects, which haven’t changed a lick since 2006. Those models were never earth-shattering to begin with, frankly, and it’s hard to understand how a major upgrade to this product would have overlooked such a significant part of the unit’s appeal. Here’s hoping the next H4 features a major overhaul of the guitar and effect presets, with vastly improved sonics, patch organization, and far more options. A more inspired rhythm brain would be a nice touch, too.


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Comments

(7 comments) display by
UsernameComment
Bill
on 10/30/2012
You people have a major terminology-confusion. A two-track recorder is called STEREO. A MULTITRACK is MORE THAN TWO. It is silly and grossly unprofessional to call a stereo dictaphone multitrack recorder.
Dave
on 04/02/2012
It appears that Olympus released the LS-100 without doing the sort of testing needed for this unit as a multi-track recorder. The user reviews by the video/audio users give it glowing praise. But when reading (harder to find) musician's comments on some forums you read about problems with latency during monitoring. I was all ready to buy this unit, but I'll proceed very very cautiously looking for more musically oriented reviews.
Jim Curtis
on 03/27/2012
I love my BR-80!!!! I use it to record our practice sessions and then practice with the sessions whenever I feel like it. I agree about the case; but, I think a "stand" on the back would be just as important. When we practice, it is hard to find a position that will give the best recording: hence, the stand would allow you to direct it in such a way as to customize your recording. I don't know much about recording and wish the for more educational materials on the unit and recording in general.
80's boy
on 03/24/2012
No offense to these Hand-Held Multitrack Recorders but the Zoom H1 is $90, runs on one AA battery, records stereo and sounds fantastic. Put it in your guitar case and take it anywhere. Record jams or song ideas and put them into your PC and you're ready to rock. I have one and love it.
another daniel
on 03/24/2012
Thanks so much for writing these reviews. I needed them. One thing I'm very curious about: Do you (anyone else reading this) have any input on how easily any of these upload tracks onto a computer? In my experience, I'm never able to know exactly what to expect because that info is very often not accurately described on product sites, descriptions, reviews. I had horrible experiences with a (now dated) BR-864 multitrack. Even my tech-savvy friends couldn't figure out the issue, I lost so much music.
Daniel
on 03/22/2012
I do own the Zoom, the boss and the tascam (along some other multitrackers. kind of a fan). I find myself using the DP004 most of all. Just a preference. I do favor the Zoom when in the field, for recording gigs, or practices, but when recording demos or reference tracks, that tascam kicks some serious behinds. Don't really appreciate onboard effects or amp sims, not just yet, they're close to the tone you want, but not just yet.
Renaldo
on 03/21/2012
I just bought the Apogee MIC, and I can tell you, combined with the new iPad and Garageband, these dedicated recorders don't stand a chance in comparison. The Apogee, with a full digital interface, is nothing short of jaw-dropping quality, at least for a portable field mike. Garageband is a joy to use in terms of simplicity, and provides a wide range of functions for mobile recording. The combination of the Apogee and the new iPad will be a game changer, no question.



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