April 2012 \ Features \ Roundup: 5 Multi-Track Digital Recorders Reviewed

Roundup: 5 Multi-Track Digital Recorders Reviewed

James Rotondi

In this roundup, we’ll look at the Korg and Olympus units, as well as the latest incarnations of two of the most popular devices in this category—Zoom’s feature-rich H4N and Boss’ smartly designed Micro BR, and home-recording pioneers Tascam's classic-looking DP-004


Premier Guitar April 2012

(3 of 5)

Zoom H4N

• Rugged, shock-resistant build, XLR inputs, and high-quality stereo mics.
• Bright, readable LED display and easy learning curve.
• Four-Track mode with bounce capabilities and onboard effects.

Ratings

Pros:
Serious mics and a tough build, solid 4-track.

Cons:
Dated guitar models and vocal/studio effects.

Audio Quality:

Function/Design:

Materials:

Value:

Street:
$299

Zoom
samsontech.com

By most accounts, the Zoom H4 stereo and 4-track recorder was a serious slam-dunk when it was released in 2006, and the updated H4N ($299, street) trades on its predecessor’s savvy design while adding some cool extra features—a built-in mono speaker, a bigger, more readable display, a “stamina” mode to extend battery life while stereo recording, and an XY 90/120-degree built-in mic arrangement that Zoom argues makes for better center source intelligibility, a wide stereo field, and reduced phase issues. What’s more, the audio specs have improved with the H4N’s digitally controlled preamp. In addition to stereo and 4-track modes, the H4N now adds a “4CH” mode that allows for simultaneous recording of two separate stereo pairs—use the built-in mics for one pair, and the two phantom-equipped XLR/phone jacks for the other, and then mix the signals in surround or dual stereo.

The mics themselves are a clear step up from the H4, and the rubberized, shock-resistant build is heavier and tougher. The H4N compares well to a proper field recorder and its stereo imaging is excellent, on par with many more expensive devices. The H4N is even easier to use than its predecessor, with a scrolling and menu system that becomes second nature after a few hours (though you might want to do some deep-breathing exercises for those first few hours).

One place where the H4N clearly hasn’t grown up, though, is in its amp models and effects, which haven’t changed a lick since 2006. Those models were never earth-shattering to begin with, frankly, and it’s hard to understand how a major upgrade to this product would have overlooked such a significant part of the unit’s appeal. Here’s hoping the next H4 features a major overhaul of the guitar and effect presets, with vastly improved sonics, patch organization, and far more options. A more inspired rhythm brain would be a nice touch, too.


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