August 2012 \ Reviews \ Electrics \ Fender Select Stratocaster Review

Fender Select Stratocaster Review

James Edel

With figured wood and premium features, the Select Strat is as close as you can get to Custom Shop at USA production prices.


Premier Guitar August 2012

Earlier this year, Fender released their Select Series—three Telecasters, two Stratocasters, a Precision Bass, and a Jazz bass—intended to bridge the gap between the American Deluxe Series and the company’s wide variety of Custom Shop instruments.

It’s not the first time Fender has tried to take their most classic instruments upmarket. And for lots of players that like a Stratocaster to be a Stratocaster, such efforts confound. But in the case of the Select Stratocaster reviewed here, there’s plenty to suggest that this latest attempt is much more than a branding effort.

The bridge pickup has all the clarity and brightness you’d want from a Stratocaster’s most biting voice, yet with a more civilized air.

Knocked Out
Lying there in the lovely tweed case, the Select Stratocaster is breathtaking. The dark cherry burst flame maple top, which caps, and alder body induces covetous thoughts even when you’re not considering the high quality of the materials. The neck and fretboard are flame maple as well, and it’s hard not to be struck by the beauty of the wood on this instrument. The medium jumbo frets and C-shaped neck both feel familiar and fall under your fretting hand in a way that will seem like an old friend to anyone who has played a ’60s-vintage specimen or a Stratocaster inspired by one. I was less accustomed to the neck’s compound (9.5"-14") radius, but once acquainted, I found it fast, super smooth, and much more comfortable to play in the higher registers. It’s a nice, and functional, evolution of an already great neck.

The Select Stratocaster has deluxe locking tuners, which some players will love and purists may feel indifferent about. The contoured neck heel is a smart and potentially invaluable feature—one that, as a long time Stratocaster owner, I wonder how I lived without. Combined with the fretboard’s widened sweet-spot, thanks to the aforementioned compound radius, the neck heel, bi-flex truss rod, and rolled steel saddles can accommodate infinite action adjustments to suit any playing style.

Ratings

Pros:
Excellent quality. Flexible electronics. Rich, smooth, but quintessentially Strat-like pickups. Great neck. Gorgeous materials.

Cons:
Hefty price tag.

Tones:

Playability:

Build:

Value:

Street:
$2050

Fender Musical Instruments
fender.com

Smooth Talker
The pickups on the Select Stratocaster are superb—clear and more focused than any Stratocaster I’ve encountered in recent memory. The neck position is warm but with exceptional definition, while the bridge pickup has all the clarity and brightness you’d want from a Stratocaster’s most biting voice with a more civilized air. The second and fourth positions are more finessed and less honky than the tones I’ve encountered on other Stratocasters, but at high volume, they can positively scream. It’s easy to delve into Trower-esqe insanity, but this guitar can also manage a mellower blooming tone when you work with less aggressive tone and volume settings on the guitar. The no-load pot has a subtler effect than I would ordinarily expect, but I find the raw bite of the unimpeded bridge pick-up is still a handy sonic tool for cutting through a cluttered band mix. As a result I found a ton of the tones I wanted with the bridge tone set to 10 and neck tone at 5. The well-defined picking dynamics of these single coils shine, while the extended sustain bolsters this Select Strat’s expressiveness. They make a humbucker-single-single configuration as well, though I haven’t put my hands on that guitar.

The Verdict
There’s no denying that the merits of the Select Stratocaster are much more than superficial. The pickups lend a sense of sonic refinement and audible richness without straying from the tone formula that makes the Stratocaster an enduring work of genius, and the tone controls are not only responsive and fun to work with, but create a genuinely expanded tone palate. The neck too, enhances what’s already a near perfect design in ways that can genuinely expand your playing vocabulary.

If you have never been fond of Stratocasters in the past 58 years, this one won’t do much to change your mind. But if, like me, you’re an unrepentant fan of Leo’s masterpiece, the Select Stratocaster is a true evolution of a great guitar. The price tag puts it out of reach for many players’ means, but given how many improvements in this guitar are more than skin deep, the Select Stratocaster is likely to repay the investment—not only as an exquisite Stratocaster but as a potential front-line, go-to guitar that will reward you as a player for years to come.

Watch our video demo:


     

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Comments

(21 comments) display by
UsernameComment
Bluppo
on 11/08/2012
"Fracture". Love it!
MeMo
on 09/25/2012
I agree with Funk E about the amp, price aside, player aside, amp aside, riffs aside, compound neck aside and nothing really exiting aside... ...it is a nice guitar
scott
on 08/13/2012
Looks like a G&L...
pork pie
on 08/08/2012
Been playing 35 years or so and I still own one of my first MIA Strats (1970) and my first LP, a 1982 Gibson LP Standard. Both are fine instruments but each needs refinement if playing today's music, so I welcome tweaks and changes. I also own a 20th Anniversary PRS Custom 24 and a 2002 PRS Custom 22. I love all of the above mentioned guitars and each have their strengths depending on what you are playing. But price aside, the best guitar I've ever owned (and still own) is a Collings City Limits Deluxe.
Lifelong Strat
on 08/03/2012
I bought an alder body/maple neck combo from Warmoth and it sounds better than my USA strat. I have a Mexi/USA/Chinese Squier CV 50's and the Warmoth kills all of them for tone. You have to buy a bunch and try different Strats, I've tried lots.
j.skaggs
on 08/03/2012
It is kind of breathtaking. I enjoyed the review and video. Money aside I'd take it over an LP figured (no offense of course..) in a heartbeat. Foolish me.
Rick/Hayward ,Ca
on 08/03/2012
Gd batch of comments,@Pro guitar shop had article about a college,that did study on tone wood for guitar...PRS not gonna like it.the artical sinks Pauls Ship.+ did anyone catch Gutherie Govan?lately? he switched to BassWood.I would love an American strat,Bran New Or Really old would be nice Just to have the Real DEal.But I gotta say,I think Suhr raises the level of the strat significantly.For the same$$ Im getting Suhr..Fender shoots it self in the foot with the plastic&chrome Jack plate..On this Nice wood&finisH? A Guitar player should experience a Build,no Doubt !! GuitarElectronics.com........my 2cents
Stan
on 08/02/2012
I bought a body from StewMac, got a neck, Duncan pickups, hardware, etc. paid less than 1/2 the price and it blows this away. I also like what Steve said - PRS is WAY better. I also think you should play various style clean and dirty when doing a demo.
NORMAN WINELAND
on 08/02/2012
I LISTENED TO THE DEMO TAPE, AND AGREE IN SOME SPOTS ON THE 5 AND 6 STRING, IT DOES SOUND A LITTLE TINNY, BUT I CANT CALL IT TRASH, BECAUSE IT SOUNDS SO MELLOW ON THE BRIDGE PICKUP. I OWN THREE FENDERS, A 74 TELE, A 65 STRAT, AND AN 82 STRAT, ALL THREE SOUND DIFFERENT, AND YOU CANT BEAT A TELE FOR BLUES. OF COURSE, THATS JUST ME..NORM
Guitartec
on 08/02/2012
A WORD OR WARNING; In order to set-up a compound radius neck, it requires some understanding, experience and tools like radius gauges to set up properly. It is NOT set-up like a typical single radius neck. Don't forget to ask your luthier or guitar tech if they' are well-versed with compound necks. Iit's also a good idea to always mention you have a CRN before the set-up (don't expect the tech to remember). If they say they don't use tools to set the radius at the bridge, or they do it by eye or feel, grab your axe and run for the door! Expect to pay more for a CRN set-up.



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