January 2012 \ Reviews \ Media Review \ Album Review: Pink Floyd - Wish You Were Here—Experience Edition

Album Review: Pink Floyd - Wish You Were Here—Experience Edition

While the fine re-mastering job here will make many of these songs a fresh listen again, the real treat of this edition is Disc 2, on which we get to hear the Floyd shaping tracks from WYWH and 1977’s Animals in their preferred laboratory—the stage.


Premier Guitar January 2012

Pink Floyd
Wish You Were Here—Experience Edition
EMI

In the pantheon of gargantuan classic rock records, Pink Floyd’s Wish You Were Here, is a bona fide, mega-monster. Given its ubiquitousness on the airwaves to this day, it’s a safe bet that many of us could go without hearing a single WYWH track and do just fine. While the fine re-mastering job here will make many of these songs a fresh listen again, the real treat of this edition is Disc 2, on which we get to hear the Floyd shaping tracks from WYWH and 1977’s Animals in their preferred laboratory—the stage.

It’s virtually inconceivable to imagine a band of Pink Floyd’s stature undertaking such an experiment in the modern age, when fans count on greatest hits sets to justify big ticket prices. But here we hear the Floyd just a year on the heels of their platinum breakthrough Dark Side of the Moon, trying out a new sprawling epic called “Shine On You Crazy Diamond.” David Gilmour has not yet worked out the flourishes that Floyd heads now know note for note, and his tone is more blues grit than the illuminated alien dew droplets we now associate with the tune. But there is a rough beauty to the version that’s a thrill to behold.

More interesting still are two early attempts (from the same 1974 Wembley date) at what would become “Sheep” and “Dogs” on Animals—known here as “Raving and Drooling” and “You’ve Got To Be Crazy.” The former is slower here and more plodding and less funky that what it would become, that is, until we reach Gilmour’s descending chord outro, where the band kicks into the groove that would ultimately define the best-known version. “You’ve Got To Be Crazy” is jazzier and considerably less menacing than “Dogs.” And Gilmour’s cluttered, scat-styled vocal is awkward and klutzy when juxtaposed against the streamlined architecture of the Animals track. The point here, however, is not perfection, but a fascinating glimpse of a band at work and on the move—at a time when superstars and open-minded audiences could share in the creative process. —Charles Saufley

Must-hear track: “Wish You Were Here” (with Stéphane Grappelli)


     

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Comments

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Scott Briggs
on 01/17/2013
The trouble is these tracks always sound like junk on the radio in my experience (maybe not on HD radio I dunno), with all that compression, static and multipath, so I hate listening to Pink Floyd on the radio (or, almost anything). Secondly, this remaster does not sound any better than the 1993 version I have on CD. It sounds fine but not better, let's get that sorted straight away. That being said, Disc #2 is well worth owning for real hardcore PF fans and collectors. I've been a Floyd head since 1978 and age 10 so I know my Floyd. I know how it's supposed to sound and how it's not supposed to sound. I also recently pulled out my 1983 Dark Side of the Moon pressing the Harvest Japanese black label CD and I can honestly say there's no recent remaster that sounds anything as good as that edition/pressing. It's changing hands for $50-200 because it's easily the best pressing of that album. The only way that would sound better is maybe with a vintage audiophile vinyl copy, a $20,000 stereo system, and a $1500 Technics turntable. Maybe.



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