June 2012 \ Features \ How to Pick your Pick

How to Pick your Pick

James Rotondi

The material, thickness, texture, and shape of that pick have an outsized impact not only on the sound we create, but also on our phrasing and articulation.


Premier Guitar June 2012

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Alternative Picks
Not everyone is content to use a pick made from cellulose, nylon, or even stone, and even the most diehard tortoiseshell user may want to change things up now and again. Fortunately, offbeat pick variations and other unusual string-strokers abound.

Jellifish Plectrum Effect
Looking a bit like Sigmund the Sea Monster, the Jellifish pick is not really a pick at all, but a series of 18 small pieces of guitar-string-like wire arranged on a slight grade and held together by a plastic, pick-like fob. You can produce a chorus effect by grazing it over the strings laterally, or arc it back and forth over the strings for a sound not unlike a cello or a viola. jellifish.com

The Wirething Guitar Pick
This little oddity comes in models that use a nylon, acrylic, or plastic injection-molded body with a small metal wire made of steel or copper alloy for striking the strings. Jerry Donahue and Gene Bertoncini sing its praises, which isn’t bad company to keep. wirething.com

Fred Kelly Bumblebee Jazz
This interesting hybrid is basically a yellow thumbpick attached to a small, black flatpick, giving you the best of both worlds. fredkellypicks.com

Heet Sound EBow
While not a pick in the usual sense, the EBow has been cool for so long and through so many phases of musical fashion, that its actual method of actuating strings—by focusing “a sympathetic oscillating magnetic field” on them—is almost secondary. Used liberally by everyone from Robert Fripp and Adrian Belew to Radiohead, Bloc Party, and Opeth, it’s almost certainly the most popular device for coaxing sounds from a guitar outside of a traditional guitar pick. With a sound somewhere between a guitar synth and an angry cello, it’s simply a must-have for every recording player. ebow.com/home.php


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Comments

(45 comments) display by
UsernameComment
John S.
on 02/08/2013
Dylan, I'm with you. 45 years ago you could find ST. DAVID picks everywhere. I've been down to my last one for a long time now and I'm afraid to use it, for fear of ruining it. It is a red #1, very thick nylon with grooves on the top half and tapers to paper thin at the pointed end without being too flexable.
Steve T
on 07/06/2012
I purchased a sheet of 3m stick on step tread material. It's like sand paper cloth with a stick on backing. I punch holes out with a regular hole punch and stick them on one side of my picks. I even carry some of these in my wallet to give to friends.
Dave
on 06/30/2012
Truly enjoyed the article on picks. One of the best and most unique picks I have aquired lately is made by a company called zenfire. I have always had a problem with my picks slipping but these grip like nothing else and lets me concentrate just on playing. I bought a model called the phat jazz and it is a jazz 3 size and shape. Outstanding tone too!
Charles Hoernemann
on 06/28/2012
Thanks for this great article James! I agree with Mike R, use different picks with different guitars and different styles. I use Wegen, Dunlop, Pickboy, Clayton. For strumming, any no name medium picks do the job for me. And for better tone, try a thicker pick. It's cheaper than new pups :-)
Bowo
on 06/23/2012
I use dunlop ultex sharp 2mm, and sometimes ultex jazz iii. I love ultex material! Awesom for fast picking since it's so rigid
Alex
on 06/20/2012
I only use jazz IIIs and a homemade acrylic 5mm pick. Tried so many different picks and all I want are jazz III shaped ones.
Vic
on 06/09/2012
Fantastic article! Learned a lot and got answers to questions I have had for a long time. I have searched for decades for a pick like I have now. The name escapes me at the moment but it is made in Italy and I am down to my last one. It is basically like 2 picks stacked together with a grommet between them but it is molded all one piece. One side is full size triangle of about 1mm that tapers a bit at the points. The other side is an elongated teardrop. The sound variations I can get by using it different ways are great. A full strum on an acoustic almost sounds like 2 guitars! It also is great to store on the guitar as it is easy to slip under the strings on the headstock and will never fall off by itself. I have often thought about trying to make one myself just by getting 2 picks and a grommet between them but too lazy to try. Anyone else ever see/use a pick like I described? Thanks again PG for the article.
Ibashred
on 05/31/2012
PG: you guys should do this type of story on humbucker pickups, history, makers, design & materials, modern day makers. A history of humbuckers. The usual suspects would give a quote, Duncan, Dimarzio, Fender. Would be a great read.
Jon
on 05/26/2012
Dylan, Sounds like you and I are similar but *switched*.. I switch between a Dunlop Nylon .88, a Dunlop Tortex .73. I like the Nylon for most regular playing and the Tortex for squeals.. I keep some Clayton picks and the medium/hard generic picks that music stores have with their logos on them. Really, I've probably got a dozen different kinds in my 'backup' bag, but I always set up my mic stand pick holder with the Dunlop's (Nylon and Tortex) and one of the generic picks.
urbanpilgrim
on 05/25/2012
an alternative not mentioned is to make your own. one option is by using the 'pickpunch,' a stapler/paper-punch-like device available online. it punches the typical pick shape out of old credit-cards and used gift-cards, among other things. i haven't bought a pick in the two years since i bought it. it's pretty awesome.



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