November 2012 \ Features \ DIY: How to Set Up a Fender Stratocaster

DIY: How to Set Up a Fender Stratocaster

John LeVan

Arguably the world’s most popular electric guitar, the Fender Stratocaster is a marvel of sonic and mechanical engineering. But setting it up correctly can be a challenge, even for experienced players. Here, ace Nashville repairman John LeVan walks you step-by-step through the setup process and shows you how to make your Strat play like a dream and ring like a bell.


Premier Guitar November 2012

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Step 1
Measure the Action

1. Tune the guitar. Usually that’s standard E tuning, but as we’ve discussed, for this setup it was a whole-step below that.

2. Clamp a capo on top of—not behind—the 1st fret (Photo 1). This creates a “zero” fret and temporarily removes the nut from the action equation, allowing you to initially focus on neck relief (the amount of forward or backward bowing in the neck itself ) and bridge and saddle height.

3. Use a string action gauge (available from stewmac.com) or precision metal ruler to individually measure the string height at the 12th fret (Photo 2) for all six strings. The distance you’re measuring lies between the bottom of the string and top of the fret.


1. Before measuring action and neck relief, clamp a capo over the 1st fret. This temporarily removes the nut from the action equation. 2. Using a string action gauge to measure the action at the 12th fret.

On this Strat, the distance from the 1st string to the 12th fret was 6/64", and the 6th-string gap was also 6/64". This is very high action!

Step 2
Measure Neck Relief

It’s important to determine if the neck has forward (concave) or backward (convex) bow. Along with saddle height, neck relief also affects the guitar’s action. Here’s the process:

1. With the capo still clamped on top of the 1st fret, hold down the 6th string at the last fret.

2. Using your action gauge or metal ruler, measure the greatest distance between the bottom of the 6th string and the top of the frets. The largest gap typically occurs somewhere between the 7th and 9th frets—essentially in the middle of the neck.

3. Measure the relief at the 1st string.

On this Strat, the relief was .022"—a little more than necessary.

Step 3
Measure Action at the 1st Fret

Playability is also affected by how high the strings sit in their nut slots. The guitar feels stiff when the strings are too high. Conversely, if they sit too low, you’ll get a buzz when you play the open strings.


3. Measuring the distance between the bottom of the 1st string and the top of the 1st fret.

1. Remove the capo and measure the distance between the bottom of the 1st string and the top of the 1st fret (Photo 3).

2. Repeat the process for all six strings. When the guitar is set up properly, the gap should incrementally increase from the 1st to the 6th string to accommodate their progressively thicker gauges.

At the 1st fret, I measured a 2/64" gap between the fret and string, and for the 6th string, the gap was just over 2/64". Again, this is rather high, especially on the treble strings. Overall, this meant I needed to slightly tighten the truss rod (i.e., turn it clockwise) to reduce neck relief, lower the bridge saddles, and re-cut the slots in the string nut.

While taking these preliminary measurements, I noticed that the custom pickguard butted up against the tremolo base plate. This prevented the tremolo from moving smoothly when tipping forward to slacken the strings. When the trem arm was depressed, the base plate would get hung up on the pickguard—that’s what was causing the tuning issues the client was having with the trem! Before proceeding, I made a note that I’d have to trim the pickguard before completing the setup.

Armed with the information gathered in the previous steps, now we’re ready to begin the process of adjusting the action.


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Comments

(35 comments) display by
UsernameComment
Jack
on 03/23/2013
www.Fender.com has setup information there as well. These instructions are right on. If you take your time anyone can do this. Don't let some Cocky Guitar Tech fool make you think that you cannot setup your own guitar. Most of the time if the Tech does not like you or you keep bringing back your guitar to get adjusted. The Guitar Tech will think you do not now what your doing and mess with you anyways. You all can learn this and become one with your guitar. Guitar Tech's are a "Dime a Dozen" The good Tech's will come out and explain everything as much as possible. Most guitar Tech's are Hacks making Minimum Wage and don't care about your instrument. If you have any questions about any part of this setup. Google each step and you will most likely find your answer. For instance "Filing the Nut" You would want to read more about this before Filing your nut to make sure you do it properly in regards to the strings that you use and what the nut is made from. Simple. And if you take your guitar to a "Guitar Tech" Btw to guitar players means "Don't let the guitar out of your sight" ! Make sure he explains what he or she did to your guitar. You will recognize the B.S. right away when they start talking. Good luck Everyone !
toner
on 03/11/2013
now I'am not sure I want takle this, Toner gone mad!
Donny Moya
on 01/08/2013
The flying V spring set up on the wanger is wrong because there is more spring tension on the two outside springs. Just run them parallel.
Erik Scott
on 11/09/2012
There is tremendously validity regarding the admonitions to have the guitar set-up professionally by a qualified tech or to proceed with grave caution. For those that wish to attempt a Strat set-up that have the desire to learn, live in a rural area away from a trust-worthy tech; or, are naturally squeamish at any perfunctory attempts: a wise suggestion (as pointed out by other commenters) is to start with a budget guitar such as a Squier Affinity Strat. If mistakes are made, they are not financially devastating, and the learning process is not performed on your expensive, prized axe. It is also useful to study materials by Paul Balmer, free articles from Stew-Mac, and other credible sources. Create a clean, clear work space free of distraction and acquire the proper tools. Above all, proceed slowly in the beginning, when you are in a good mood, alert, and can sustain concentration. If it gets to be aggravating, step away for a bit, while taking common sense measures in the process in order to avoid a warped neck, etcetera. If you do have a great pro in your local area, it is often best to let the pros to what they do best. Afterall, that is what they are paid for. It is there livelihood and profession. No one with a sane mind would tackle a complex plumbing job with no tools, training, etcetera.
Karl
on 11/08/2012
I second Adey's comment. For us Europeans (and probably for the rest of the non US world) these non-metric measurements are a pain. So please, please (!) also supply all measurements in mm.
Dave Wallace
on 11/07/2012
I'm new to all this ( about 1 1/2 years into guitar experience ), and used this article to work on my Squier Strat that my kids gave me - what an improvement ! Wow ! It's like have a new guitar ! Intonation problems - gone. String buzz gone ! I think the pickup heights are a bit high, but I've seen other comments along the same idea. Thank you so much !!
Surf Mike WI
on 11/05/2012
I have a 1966 Fender maintainence "manual" at to set up a vibrato it was recommended at the time to place two nickels under the vibrato and adjust the spring tension to where it barely holds them in place. I've used this for years and when the balance is set, there are no tuning-return to pitch problems
Shtew
on 11/04/2012
Good information here, tho the order of the steps is somewhat out of proper sequence...as neck/relief adjustment can affect nut height, and nut height/adjustment can affect action & intonation adjustments. Also final pickup height adjustment should be done "by ear", finding the "sweet spot", as all p'ups are not created equal...different strength magnets, etc.
Eric
on 11/04/2012
Money in the bank, indeed. He didn't explain many of the procedures. Either assumed it was so easy anyone would know how or knew that it would be screwed up and need a tech. I have no problem bringing my guitar to a tech and paying for work that needs to be done, but if this guy is going to write the article for the typical guitar player who is not a tech but reasonably competent and handy, as I am, then he should explain every step and not just the ones he thinks are difficult. Maybe some of us haven't done this before. Very disappointing. I will go to another resource.
Michael
on 11/03/2012
Thanks for publishing this. As a guitar repairman, I know that not everyone is capable of doing this no matter how detailed the instructions so I always see "work on your guitar" articles as money in the bank. Inevitably, someone with more confidence than aptitude will try this and totally screw up their instrument. No two guitars are the same. It takes someone with years of experience to find the sweet spot for both the player and the instrument.



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