Have you ever been
steamrolling through a
gig—where everything is going
right—and the band yells out
for a bass solo? Well, it doesn’t
often happen to me, but if it
did, I’d like to be prepared.
Knowing the song’s key and
practicing your million-dollar
licks are only the beginning of
your worries. Level boost during
a bass solo or getting your
tone to cut through the mix
are important considerations as
well. That’s because the bass is
usually mixed for impact and
to be felt, not always to cut
through and be heard. If you
have ever tried to climb out
front for a few moments and
fallen flat, Markbass has rolled
out the MB7 Booster pedal for
just such an occasion.
Launching Markbass in
2001, Marco De Virgiliis has
quietly been making huge
strides in bass amplification
in Italy, and gaining popularity
more recently in the U.S.
Armed with innovation, top
endorsees, and his signature yellow-and-black amp chassis, De
Virgiliis has expanded his offerings
for bassists beyond amplification
with a variety of effects
pedals as well. Like all Markbass
products, the MB7 Booster is
made in Italy, and built to use
for years to come.
Booster Engaged
As a straight-ahead sort of
player, I admittedly haven’t
given much thought to having
a pedal boost my signal. During
a solo or feature, I normally
just try to dig in a little harder.
But that doesn’t always work:
You lose finesse and touch, and
not every solo is a barn burner.
Enter the MB7 Booster. With
a simple tap of the foot, the
level of boost can be bumped
all the way up to a solid 20 dB,
rattling the loftiest of ceiling
timbers and enabling the player
to worry about playing—rather
than wondering whether or not
he is actually being heard.
In addition to being a clean
volume boost, the pedal has a
7-band graphic EQ that allows
you to shape the tone to suit
the situation. And extra EQ is
always a good thing, especially
when it’s switchable. Because
the MB7 Booster will let you
tweak the EQ to cut through
the mix and simultaneously
boost your signal, it’s a great fit
if you’re a solo-heavy bassist.
But even if you aren’t an out-front
player, you can still benefit
from the pedal. Let’s say you
have a backup bass that is not
tonally identical to your main
axe. With the MB7 Booster,
you can closely match your
two instruments (this is also
relatively effective for matching
a passive to an active bass),
and in case of an emergency,
the pedal can make switching
between the two more seamless.
The additional EQ can also be
helpful when saddled with a
house rig. It’s not a cure-all, but
having this pedal in your bag
may make your life a lot easier
when you are playing through a
less-than-adequate rig.
Shape This,
Shape That
I used the MB7 Booster with
a few different instruments
including an active StingRay, a
passive ’75 Jazz reissue, and a
fretless Warwick Streamer Pro
M. Though all three instruments
sound great on their
own, I could move frequencies
around within the instruments
with the MB7 Booster. Backing
down the 400 Hz slider gave
the midrange-heavy
Warwick a more even
tone. I was also able
to make the Jazz
sound like it had an
onboard active preamp,
and mellow
out the StingRay
with just a few easy
adjustments.
The MB7
Booster is ruggedly
constructed,
housed in a black
metal body with
rails on each side
of the illuminated
EQ section.
To help prevent “accidental foot
adjustment,” I would have liked
an additional rail below the level
sliders to isolate the controls
from my foot. It could make for
a tough recovery if you jump
on the EQ switch and suddenly
push the 40 Hz through 400 Hz
sliders all the way up. Other than
that, this pedal is solid, and the
bright yellow lights on the sliders
make on-the-fly adjustments easy
on the darkest of stages.
The Verdict
The MB7 Booster is a straightforward
pedal in its design and
performance. I really appreciated
the transparent true bypass of the
pedal, and its simple yet effective
layout makes a great addition
to any rig. Guitarists shouldn’t
have all the solos, so if you are in
need of a little boost—and who
isn’t?—then the MB7 Booster is
worth a test drive.