September 2012 \ Features \ DIY: How to Convert a Flattop to Nashville Tuning

DIY: How to Convert a Flattop to Nashville Tuning

Hunter Allen

Turn your spare acoustic into a sparkling wonder that transforms songs from mundane to magical.


Premier Guitar September 2012

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It’s a safe bet that every Nashville session player owns a high-strung guitar. Flattops configured this way are essentially half of a 12-string guitar, with strings 6–4 tuned up an octave. When you strum a guitar in this “Nashville tuning,” you get shimmering chords with lots of deliciously close intervals that are impossible to finger in standard tuning. But the high-strung guitar isn’t limited to Nashville studios—many guitarists bring a high-strung flattop onstage to add glistening tones to their live shows. While Nashville tuning simulates a 12-string, it’s much easier to tune and play, and it takes up considerably less space in a mix.

Fortunately, it’s easy—and cheap—to explore these jangly sounds. Switching a guitar from traditional to high-strung tuning requires only a basic knowledge of stringing and setup, and it only takes a few minutes, too. If you fall in love with the ringing timbres after trying it out on your axe, you can optimize the guitar for Nashville tuning by installing a new nut. Best of all, you can always return the guitar to its original state by simply reinstalling the old nut. Because it’s reversible, this is the perfect mod for acoustic guitarists.

Let's hear it first, then see how it's done:

The clip includes a number of short passages that illustrate the sound of simple open chords, basic strumming, more elaborate fingerpicking, natural harmonics, and even dropped-D riffage. In each case, the left-hand fingering and right-hand picking are straightforward—the ear-grabbing, close-interval voicings, octave jumps, and jangly timbres are all automatically generated by the Nashville tuning.


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Comments

(6 comments) display by
UsernameComment
Midax
on 08/23/2012
For those of us without access to a plek machine, a note on using the Stew-mac string spacing rule: It "automatically compensates for string diameters" but since in N tuning only the bass E is wound, this would result in spacing similar to what is on the old nut you're replacing. I have the rule and if I ever attempt this, after marking the high 3 strings, I'm flipping it over to use the same 3 slots to mark the lower 3 (keeping strings 1 and 6 as the guide).
Scott
on 08/17/2012
Ariel, clip on the play button for the sound clips
Ican Read
on 08/16/2012
Nut Slots - read the fine article - it gives you the basics and refers to an earlier article: http://www.premierguitar.com/Ma gazine/Issue/2012/Mar/How_to_Convert_You r_Axe_to_a_Baritone.aspx?Page=3 Sound sample - click the link as described. http://soundcloud.com/premier guitar/taylor-512c-after-high-strung Ca n't anyone read anymore?
Lorne
on 08/16/2012
Cheap guy's method: buy a cheaper, used acoustic. Forget about the new nut, forget about the truss rod. Mic it up and mix with a standard-tuned acoustic in your recording. Let your imagination guide you. Try different chord voicings than just "1st position cowboy chords". BTW, for the David Gilmour variation of Nashville Tuning, replace the top E string with a unison string of your bottom E string. So, rather than being one 8ve above standard, the E is now two 8ve above. As used in Hey You picked notes and CNumb chords during pre-chorus ("There is no pain..."). The result is something strikingly harp-like.
Fred V.
on 08/15/2012
Cut the nut slots. The Plek machine-wait a minute, I don't have one of those. The article sort of leave us in the dust at this point.
Ariel
on 08/10/2012
Aww, no sound samples? but the digital mag sent me here to hear!



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