February 2013 \ Reviews \ Media Reviews \ Album Review: Smashing Pumpkins - Mellon Collie and the Infinite Sadness—Deluxe Box Set

Album Review: Smashing Pumpkins - Mellon Collie and the Infinite Sadness—Deluxe Box Set

Jason Shadrick
Premier Guitar February 2013

Smashing Pumpkins
Mellon Collie and the Infinite Sadness—Deluxe Box Set
Virgin Records


With Mellon Collie and the Infinite Sadness, the Smashing Pumpkins pushed the already loose boundaries of the alt-rock scene and created the most grandiose album of the ’90s. Coming off the mainstream success of Siamese Dream, the band had built up some artistic capital and then proceeded to spend every last ounce of it with a sprawling, well-orchestrated opus that served as the Gen Xers’ The Wall. Now, 17 years later, the high point of the Pumpkin’s career gets the reissue treatment along with a huge trove of demos, alternate versions, and even rare video that paints a crystal-clear picture of the pinnacle of alt-rock’s most enigmatic group.

If you expect your fans to buy a box set that does include some previously released material, the devil is in the details and Corgan delivers. Along with the remastered original album, there are three full discs of demos, unreleased tracks, and sketches of tunes. And that’s in addition to a DVD of two classic Pumpkins shows from ’96. That’s plenty of new material for even the most die-hard Pumpkinhead. For a collection like this, it almost makes more sense to listen to the albums with the songs grouped together in alphabetical order, comparing and contrasting different versions of tunes in an effort to understand and track the band’s musical direction.

The solo acoustic take on “Thru the Eyes of Ruby” is especially beautiful, and when you compare it to the seven-minute-plus final studio version, the two editions give you a pretty good glimpse into Corgan’s more prog tendencies. There’s no mistaking that even though this was a product of the band in name, Corgan was really the one pushing the group’s creative direction. Creating lush soundscapes with underpinnings of fuzzed-out guitars and skin-tight grooves was the mantra for the Mellon Collie sessions, and this collection serves it up for a new generation to lose themselves in.
—Jason Shadrick

Must-hear tracks: “1979 (Sadlands Demo)” and “Jellybelly (Instrumental/Pit Mix 3)


     

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Comments

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UsernameComment
Scott
on 01/17/2013
The reviewer obviously doesn't read the competition. In the last Guitar World there is an interview with Billy about this album and in it he describes how this album actually involves the band MORE than previous albums. http://www.guitarworld.com/excerpt-makin g-smashing-pumpkins-mellon-collie-and-in finite-sadness The producer specifically isolated Billy for vocal tracks and that gave the others, especially James Iha, more time to create & record their own parts, leading to a more diversified sound than on previous albums (where Billy played everything but drums).
90's Teen
on 01/10/2013
This album(and Cobain's suicide)signaled the end of Grunge for me, it just kinda stopped. Alterna/No doubt type bands got more popular than grunge. I much prefer Siamese Dream to this overblown CD.



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