January 2013 \ Features \ 5 Basses Under a Grand: Fender, G&L, Ibanez, Shecter, Sterling by Music Man

5 Basses Under a Grand: Fender, G&L, Ibanez, Shecter, Sterling by Music Man

Dave Abdo and Steve Cook

Whether you’re an intermediate player who’s recently outgrown your first instrument, a weekend warrior looking for an inspiring new bass, a gigging pro looking for a dependable backup—or even if you’re primarily a guitarist who needs a solid 4-string for home-studio work—this group of quality instruments will satisfy on many, many accounts.


Premier Guitar January 2013

(5 of 5)


Sterling by Music Man Ray34CA
BY DAVID ABDO

Ever since Leo Fender designed and released them under his new brand in 1976, Music Man basses have been highly appealing to players the world over because of their combination of punch and presence, great playability, and an impressive price-to-value factor that caters to the discerning bassist. There’s no denying the impact Music Man has had on the bass community.

The Sterling by Music Man line of guitars and basses pushes the bang-foryour- buck envelope further with impressive imports that incorporate many of the trademark characteristics of their higherend counterparts. Their most recent offering for bassists is the Classic Active Series Ray34CA, a bass that tweaks the famous StingRay formula while still sporting an easy-to-digest price tag.

Modern Elements, Classical Compound
At first glance, the physical features of the Ray34CA look nearly identical to its U.S.- made cousin: Its ash body is coated with a nostalgic, mint-green finish (it’s also available in vintage cream, black, and a tri-tone sunburst) and is paired with a maple neck and rosewood fretboard. Furthering the vintage styling is the protective glossy tint on the narrowly tapered neck, which also features a 38 mm nut and 19 mm string spacing that facilitates quick string-skipping motion. The latter specs will likely be especially appealing to fans of Fender Jazz or Music Man Sterling basses

For electronics, the Ray34CA is loaded with a redesigned pickup with alnico magnets. The 2-band active preamp provides a boost in the bass and treble frequencies for altering that signature tone with everything from a slight sonic bump and edge to a full, high-mid bite.

Solid and Comfy
Strapping on the Ray34CA, I was pleased to find that it’s a well-balanced instrument that keeps its position at different angles without any strain on the shoulders or back. While it’s possible that some players might lament the bass’ lack of forearm or belly contours, I didn’t feel any noticeable issues in my arm or against my, er … well-padded abs.

The Ray34CA’s construction is solid, plain and simple. The neck felt smooth while I shifted from one playing position to another, and not a single fret protruded along the sides of the fretboard. And all the hardware—which, to be honest, is probably more “modern” than “classic”—was installed securely, from the top-load bridge up to the tuners.

Ratings

Pros:
A good helping of StingRay sound with slick playability and a small price.

Cons:
Tones don’t quite match those of the iconic, high-end StingRay.

Tones:

Playability:

Build:

Value:

Street:
$699

Sterling by Music Man
sterlingbymusicman.com

Sonically, the Ray34CA sounded very familiar when I first plugged in. Compared to a 1977 StingRay, the signature sound was present, though it lacked a bit of that low-end punch and focus that the original produces. The bass knob didn’t quite bring the booty that one typically expects from a Music Man.

To put the Ray34CA through its paces in live settings, I took it to two contrasting gigs. Plugged into a Phil Jones D-600 driving a Glockenklang Space Deluxe 112, the bass fit in quite well with a jazz sextet. Although many bassists wouldn’t necessarily think of a StingRay-style instrument when going to a gig of this sort, the Ray34CA delivered warmth and a slight punch to walking bass lines when I rolled the treble knob down, slightly boosted the bass, and plucked close to the neck. Conversely, the brightness of the Ray34CA worked great on a funk/R&B gig—it enabled me to play tunes from Chic and the Brothers Johnson with authenticity: Slaps, pops, and plucks sat well within the mix, and the bass provided almost synth-like sounds when I employed a Boss OC-3 octave pedal.

The Verdict
According to Sterling by Music Man, the Ray34 Classic Active is for “the player looking for an older bass, but [who] needs higher fidelity and better playability.” And in that regard, Sterling by Music Man has delivered a pretty stellar product that both looks cool and feels great. While it might not replace the real deal, it’s an excellent option for players looking to get a bit of the StingRay sound and attitude at a very appealing price. Considering that you’d have to pay three times as much for the U.S.-made model, the Ray34CA gives you an awful lot of ‘Ray with very little sting to the wallet.

Watch our video demo:


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Comments

(18 comments) display by
UsernameComment
Barry
on 02/25/2013
Nice looking & sounding Bass. I play a G&L JB-2, similar in looks & sound. Differances in the neck.
Richard Hatton
on 02/24/2013
Looking to get a good starter bass, I might have to give this one a try
NOTCHmusic
on 01/04/2013
Exactly Zal S and through the same amp....Impossible to get a reasonable comparison
fhsmct
on 01/03/2013
No mention of the Carvin LB70 series instruments??
fhsmct
on 01/03/2013
ion of the Carvin LB70 series instruments??
Hankster
on 12/18/2012
I ordered the BT Jazz from MF, I tried to like it, put on new regular slinkys, and still found the pickups to sound tinny. I returned that bass and ordered the MIJ '70s P bass, which is less than $1000 and it blows away the BT Jazz IMHO. 2cents
stringbender 53
on 12/14/2012
Hey- you mean someone at Fender finally came up with the idea of putting two P-Bass pups on a Jazz along with a higher mass bridge? I LIKE! The Mexico built Fenders are a great deal for the dough,although the pickups leave a bit to be desired. I could see replacing them with some Seymour's and depending on the colors available adding a White or Black M.O.T.S. pickguard for some flash factor and having a bitchin' working rig.
LowB'Bob
on 12/14/2012
This is one great review!!! I teach bass for free because I want my student to put the money they would norm spend on lessons toward the best bass they can afford. Great demo of finger, slap and pick style. ROCK ON PREMIERGUITARS!!
Ed in Ohio
on 12/14/2012
Very informative and interesting review. Thanks so much for this. Based on its overall write-up and its other category ratings, doesn't the 'value rating' for the Fender Blacktop seem low when one consider it's more than 25% less expensive than the next less expensive bass reviewed here? Would love to hear how you folks would rate the Fender Geddy Lee J-Bass against these. So many say that the Geddy Lee is THE sub-$1,000 benchmark. Thanks again.
Kong
on 12/13/2012
I tried out the 5-string, and it came close to my MuMa SR5, but not too close. The SR 5 has more punch and I like the neck of the SR 5 better. I decidet to get me one for backup in live-situations, because the sound is quite the same. Just roll in a bit more low end for the Sterling By MusicMan, and it works.



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