Magazine \ Daily News \ New Products \ Gibson Custom Shop Announces the Jimmy Page "Number Two" Les Paul

Gibson Custom Shop Announces the Jimmy Page "Number Two" Les Paul

Gibson's latest Custom Shop instrument replicates Jimmy Page's 1959 Les Paul with all of his modifications.



Nashville, TN (December 21, 2009) -- Gibson Custom announces the Gibson Custom Jimmy Page "Number Two" Les Paul Limited Edition guitar modified by the legendary Jimmy Page himself. Every musician knows that late ’50s Sunburst Les Paul Standards are hard enough to come by as it is. Obtaining a pristine and exemplary ’59 ’Burst and modifying it for heightened performance and vastly expanded tonal options? Unheard of… unless, of course, you’re Jimmy Page. That’s exactly what the legendary Led Zeppelin guitarist, perhaps the world’s most iconic Les Paul player, did with his own ’59 Les Paul Standard, and now—thanks to the extreme efforts of Gibson’s Custom Shop and the intimate cooperation of Jimmy Page himself—the artist’s hallowed “Number Two” Les Paul is available in the form of the Custom Shop Jimmy Page “Number Two” Les Paul. Produced in strictly limited numbers, with two levels of aging, this guitar captures the look, feel, sound, and versatility of one of the greatest artist-owned Les Pauls of all time.

The 1959 Les Paul that has come to be known as “Number Two” was purchased by Page in 1973 after trying for some time to acquire an exceptional second Les Paul. This was several years after having acquired his other legendary Les Paul—“Number One”, a ’59 ’Burst with shaved-down neck profile and no serial number—from Joe Walsh. “Number Two” was essentially all-original when he acquired it. Jimmy did have some modifications done to the neck shape so that it would more nearly match the feel of his "Number One." The neck is certainly slim but not to such extremes as the now-ultra-slim neck on “Number One”. It had a strong, beautiful sunburst finish with a red element that had faded to a dusky amber-brown, along with a clear serial number dating it to 1959. Page played this Les Paul frequently through his days with Led Zeppelin, and in the early ’80s decided to make it an even more versatile instrument. Page also added that he wanted to "explore the full range of what the two humbuckers have to offer." He designed a switching system for coil splitting, series/parallel, and phase-reverse options for both pickups, and employed a skilled electronics technician to devise a working schematic and make his sonic vision a reality. The result was a push/pull pot on each of the guitar’s four standard controls, plus two push-button switches hidden beneath the pickguard.

This wiring scheme was recreated with detailed study of Jimmy Page’s original “Number Two”, and with hands-on consultation from Steve Hoyland, who originally rewired Page’s ’59 Les Paul to this configuration.

With both pickguard-mounted switches pushed in and all push-pull pots in the down (in) position the Custom Shop Jimmy Page “Number Two” Les Paul functions as a normal Les Paul, with the bridge, both, or neck pickup in standard humbucking mode selected by the three-way Switchcraft toggle switch. From this starting point, the functions of the push-pull pots include:

Bridge Pickup Volume Control - Pulling this knob out switches the bridge pickup’s coils from series (standard) to parallel.

Neck Pickup Volume Control - Pulling this knob out switches the neck pickup’s coils from series (standard) to parallel.

Bridge Pickup Tone Control
- Pulling this knob out switches the bridge pickup from humbucking to single coil.

Neck Pickup Tone Control - Pulling this knob out switches the neck pickup from humbucking to single coil.

The Custom Shop Jimmy Page “Number Two” Les Paul was recreated with intense, inch-by-inch examination of Page’s original guitar, inside and out. The process of getting it right involved the production of a number of hand-built prototypes, each of which was checked and critiqued in detail by Page himself. Approval of the final iteration was only offered after the legendary artist had intricately examined and extensively played this last prototype in his London home—after which it was given the thumbs-up, worthy of being the template for the Custom Shop Jimmy Page “Number Two” Les Paul. Only 325 examples will be produced in total: The first 25 instruments are to be aged by vintage-reproduction master Tom Murphy then inspected, played and hand signed and numbered by Jimmy Page personally. An additional 100 guitars will be given the extensive aging treatment and 200 will be finished to Gibson’s VOS specs.

Each Custom Shop Jimmy Page “Number Two” Les Paul comes with a leather-bound Certificate of Authenticity, owner’s manual,  and adjustment literature, and documentation for the guitar’s limited lifetime warrantee.

Specs:
Body
One-piece mahogany back
Top
Figured Eastern maple
Finish
"Page Burst Version Two"
Aging
125 hand-aged, 200 VOS
Neck
One-piece, quartersawn mahogany
Profile
Slim C replica of the original
Fingerboard
12" radius rosewood
Inlay
Acrylic trapezoid
Nut
Nylon, 1-11/16"
Pickups
Page Version 1 (neck) Page Version 2 (bridge)
Hardware
Grover tuners, Tune-o-matic (ABR-1) bridge, Schaller strap locks

For more information:
Gibson Custom

     

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Comments

(44 comments) display by
UsernameComment
david m
on 10/25/2012
i own a 2009 gibson 59 reissue les paul for about 1 year now . i paid 5300 for it. all i can tell you is that i shopped around and played about 7 59 reissue les pauls , they all sound and feel different i found this one at sam ash in white plains ny and from the moment i held the neck is was like meeting a old friend . sounds and feels like a 5000. guitar should . i think i will have this guitar for the rest of my life and leave it for my son. but to each his own i LOVE my r9 . i own 10 guitars at the moment , im not a collector i just want what i want . dont let the haters keep you from a guitar that may give you years of enjoyment . thinking about doing the jimmy page coil tap mod but no rush because it sounds beautiful now. peace
blare johnstone
on 06/17/2011
id buy this guitar, AND SMASH IT. then, id set it on FIRE, and piss on it. then, id kick it into the crowd, and scream " FAAAAAACK YOU". thankyou
Blade
on 01/21/2010
What a moaning bunch. Theres plenty of fantastic cheap Gibsons and Epiphones being made. But some of us want something special to strum at home after the gig. Why not.
I like Ferraris but I wouldnt buy one to use for everday work - who would. If you cant afford one stop buying beer and burgers and start saving.
CJ
on 12/28/2009
Hey bigsby boy, do you own one or plan on buying one? Just curious, cause you seem to think 10 or 12 grand or whatever the hell these things are going for is justified. If the new price of a paul in '59 equals 2300 bucks today then fine. I paid 3000 for my paul and it was worth every penny. To me 3 grand is not cheap, but your inflation scenario doesn't tell me why they can go over 10 grand on a replica- please man, this is horseshit. They are profiting upthe ass. Obviously there are people buying these things, but I don't have to like it ok chief? Let me know when you got one.
stringsthing s
on 12/28/2009
I think Gibson is doing a fine job .... and let's be honest here .... if you have to know the price of this guitar, then it's too expensive for you .... if Gibson wants to make 325 of these, and people want to buy them, then what's the problem? ....
J.P.
on 12/28/2009
"not that Gibson themselves give a s#|t what their loyal everyday customers and users think.... "

But Gibson DOES give a s#!t...I mean, it IS a #2 guitar.
Matt
on 12/28/2009
SO true!!!!!! I'm a semi-pro player myself and I know I'll never be able to afford one of these babies-- not that Gibson themselves give a s#|t what their loyal everyday customers and users think....
bob
on 12/26/2009
If you read the artical about les Paul even he was very upset about the prices of these les pauls.
SA
on 12/26/2009
OH YEA, THOSE LES PAULS ARE WORTH THOUSANDS !!! NOT
LOL AT GIBSON FOR MANY YEARS NOW. GIBSON HENDRIX STRAT??
AGAIN LOL. I'LL NEVER OWN ANOTHER WAY OVERPRICED GIBSON. WHAT'S THE OLD SHOW CALLED? LOST IN SPACE? THAT'S GIBSON.
G7flat5
on 12/26/2009
I am collector and a player. I think it is good that Gibson is making these models as long as they don't skimp. I have an original 1958 goldtop and an original 1957 triple pickup custom, and I can say that some of my newer Gibsons play and sound better than my old ones.I have a 1997 1960 RI that plays and sounds better and I have not done any mods to it. I have a VOS 1960 that sounds & plays better. That doesn't mean that everything comes out great, I also have a VOS SG LesPaul that plays terrible and never stays in tune and does not really have a 1960's style neck like it is supposed to, it has a fatter neck and that model should ahve a thinner wide neck like a real 1961 Les Paul. There are still inconsistancies that Gibson needs to address, but over all they are doing a great job. As for paying $120,00.00 for a new RI, no but if water seeks it's own level in years to come and that is what the market call for, then great



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