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Gibson Guitar Shares Story and Photos of Factory Flooding

Gibson shares their story of the Nashville floods



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Photos and text via Gibson:

After flood waters had cleared and the floors had been dried, some unique patterns on the floors in the finishing department of Gibson USA were left behind from remnants of paints and stains. An interesting and creative reminder that the spirit of Gibson USA can never be defeated.


By early June the task of vacuuming contaminated dusk out was in full swing. Along with more cleaning, wall studs throughout the plant were also being replaced.


By the beginning of July the main floor of Gibson USA had been cleaned and sanitized, while duct work was being replaced and machinery was being placed, painted and tested.







Though the Nashville flood was a tragedy of staggering proportion, it has been the perseverance, dedication, and spirit of the Nashville people that has allowed the city to step back onto solid ground. These qualities are reflected in the numerous workers and supporters of the Gibson brand who devoted their time and passion to the recovery efforts, launching a new era with unprecedented determination creativity, innovation and leadership for Gibson USA. The company also insured that no guitars that could have possibly been affected by the flood waters and unstable environment during that time which included high humidity and potential contaminants, would go to market and they were, thus, destroyed. All guitars being produced from the Gibson USA plant are new and unrelated to any instrument affected by the flood disaster.

The continued stories of loyalty, dedication and friendship have emerged throughout this poignant part of Gibson USA history - From the security guard who refused to leave his post until the last possible second to the supplier who drove all night from Chicago to bring critical items to the plant. There’s the human resources manager who drove to the plant through torrential rains to help move items to dry areas and the channel partners around the world who offered their support and assistance. And then there are the Gibson team members who took to the social media platforms to stay in touch and gather information for the successful recovery.

“It’s amazing how connected the employees are with this plant and this company,” said Gibson Guitar Chairman and CEO Henry Juszkiewicz. “When workers saw the damage, first came the tears. They wanted to know what happened to ‘their’ plant. They had been hit personally. But no one was hanging his head. Instantly, the focus turned to how Gibson could come back even better than before. Out of the disaster came an opportunity to be bigger, better and stronger. Gibson USA is producing the world’s greatest instruments and will continue to bring our many fans only the finest products.”

In addition to the reopening of Gibson USA, many musicians outside of the Gibson corporate offices found support and aid through the Gibson Foundation. The Music Rising program, initially founded in 2005 by U2’s the Edge, legendary producer Bob Ezrin and Gibson Guitar Chairman and CEO Henry Juszkiewicz expanded its efforts to help the Nashville music community recovery by donating $250,000 for musician’s instrument replacement. Partnering with MusiCares, Music Rising and the Gibson Foundation have already assisted more than 100 musicians in the Nashville area. In addition, to help the Nashville Symphony children’s music education program, which lost all of its instruments, Music Rising provided $25,000 for the critically acclaimed Instrument Petting Zoo program For more information go to gibsonfoundation.org.

From the disaster rises a bigger and stronger Gibson USA, producing the most innovative and exceptional instruments in the world. Musicians, fans and consumers can all bet on new models and traditional iconic guitars from the Gibson USA plant, based in Nashville, Tennessee….Music City extraordinaire.

Source: Press Release

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Comments

(29 comments) display by
UsernameComment
Buckley Bedlam
on 03/30/2011
Guys..Gibsons are just like Harley Davidsons...not much has changed over the years...it takes a certain kind of player to appreciate a Gibson over a p.r.s. and no matter how much better someone may think another brand is made..you will never get that Gibson sound out of it-bicthes..my flood era s.g. will smoke any p.r.s.-bicthes!!
R.Robbin
on 12/29/2010
It is sad to see any company hurt by a natural disaster.
Yet, the way Gibson, their customer service " or lack of ",
and the horrible way they attempted to do warranty work on a "custom shop" guitar that I shelled out 4 Grand for, was a man made disaster, considering the guitar is still unplayable and sits in the closet. I cannot write it off, nor will any insurance cover a defective item that the maker refuses to make right. Is it asking to much to simply repair or replace a faulty instrument. I have been a long time fan and customer of Gibson. Perhaps there is such a thing as Karma?
NoOneYouKnow
on 09/13/2010
For those complaining that Gibson's competition uses slave labor and illegal wood, I'd point out that Gibson was busted using illegally logged wood from Madagascar (apparently not the first time they've been busted, either), and that a big reason for Gibson's move to Nashville was to ditch high-quality union labor. Also, other companies in the US and Japan (a first-world nation with high wages) produce first-rate guitars at lower prices. I think the problems are Gibson's.
Chuck
on 09/01/2010
I heard from a pretty reliable source that the flood guitars got the wood chipper, so I don't think they're going to be making the rounds.
Mr. Johnson
on 08/31/2010
So when do the water-damaged Gibsons start showing up on ebay? You KNOW that someone's been madly diving the dumpster even if they had to follow it 200 miles to the dumping ground! I'll be watching on ebay. I love Gibsons. But they've got cranial-rectal inversion about their prices AND they're not as perfectly made as any given PRS. Gibson needs to take QC lessons from PRS.
Arnold Layne
on 08/31/2010
People always seem too eager to have a go at Gibson, mainly because of the prices. Have you seen the price of a Rickenbacker lately? Or a Fender AVRI guitar? Life is expensive, get over it. And neither Gibsons nor Epiphones were cheap in the 60s - The Beatles' Casinos work out to be about £1100/$1700 at today's prices (source: the "Beatles Gear" book). If you want a really nice guitar, save your pennies, pick a good one, treat it right and it will probably outlive you.
Dennis
on 08/30/2010
I just HAVE to chime-in, owing to the fact that I just took delivery of one of the first 'Post Flood' products of the Nashville plant, a 50's Tribute Gold Top with P90's, built on 23 July according to the serial number. Sad to say, I'm pretty disappointed. I've played Gibsons on and off for the past 30 years, and this is my third new one in the past ten. Quality of the prior two, a 2001 Tobacco Burst LP Standard, and a 2005 R9 LP, was quite good, though both required additional set up to my 'taste' upon delivery. As every guitar coming out of Nashville these days is subject to 'Plek' finishing of the fretboard as well as alignment and intonation, I expected good things. The result is less-than stellar I'm afraid. The action is extremely high (1/4 in at 12th fret, and both the TP and bridge are nearly a half inch off the body. The only thing I can determine is that the guitar was built 'wet', and not permitted to dry out before it was Plekked and strung. I'm not talking about the 45% humidity level maintained in the plant (to keep the woods nourished during manufacture), either. As the guitar was pretty hard to get, and part of a limited run, I plan to keep it, but will have my luthier try to set it up properly after it has had a few weeks to cure in my home. My experience indicates that Gibson are doing everything possible to push product 'out the door' in order to generate immediate revenues, regardless of quality. Until I saw the photos in the article, I was unaware that Nashville used a moving assembly line...not good. I had the opportunity to visit the Memphis (Hollow Body Electric) plant two weeks ago and was favourably impressed with the facility and its people...no assembly line, just independent 'shops' performing various functions. If my current purchase is any indication, they are in deep trouble. Sad really.
Terry
on 08/30/2010
I'm not going to take shots at Gibson while they're down. Perhaps they haven't done everything right in the past; they probably will make mistakes in the future, too. However, they certainly do not deserve some of the hate directed at them by some posters here. What do some of you want? You want them out of business? We're fortunate that they are in business and employing any American workers whatsoever. How they (and Fender, Martin, and the other old-line makers for that matter) can manage to compete against companies totally using slave labor and utter disregard for environmental law is hard to imagine. Yes, I know all the makers use cheap overseas labor in the manufacture of the lower price instrument lines, but given the choice they do what they can to keep as much production in the US as possible. Gibson could have moved the whole line to China. They didn't do it. If Gibson can get over $3K per Les Paul, more power to them. Can't afford one? Save up your money - or maybe don't even buy one. If they weren't selling at that price, the price would come down. I want them successful - so successful that they can shut down the foreign manufacturing and build them all here in the US. The more manufacturing we can bring back to the US, the better. Would you rather work at Gibson or McDonald's? I thought so... And yes, I am a Gibson player ...for over 40 years. And I will remain one as long as they stay in the US.
Guy J
on 08/30/2010
I have 2 Gibsons in my collection, a 1967 Barney Kessel Custom and a 1972 20th Anniversary Les Paul. I paid $400 for the Barney in 1979 and $1600 for the LP in 1993. The Barney was worth every penny and quite a bit more. The Les Paul, in my 1960s era head shouldn't have been more than $400. Hell, they were under $300 in the early to mid-60s and, even counting for inflation, there's no way they could garner the prices being asked today. $5,6,7K for a Les Paul?!?!?! I didn't realize you could so many drugs that you'd pay that amount. Prices for american-made guitars are high, but Gibson's prices defy logic.
Nick
on 08/30/2010
Say what you will about Gibson but some of the comments suggesting they would/could sell the damaged guitars are misguided. Keep in mind that for an insurance pay-out those goods would have to be unsalvageable so those receiving payment couldn't commit insurance fraud by claiming a loss then selling the damaged goods.



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