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Jackson Releases Eight New Pro Series Models

Jackson is excited to unveil eight new fearsome Pro Series models that were engineered for superior playability and shredding.



Scottsdale, AZ (October 5, 2012) – Jackson is excited to unveil eight new fearsome Pro Series models that were engineered for superior playability and shredding.

The models along with their most distinctive features are listed below:

SL2 Pro Series Soloist (in Quicksilver and Satin Black)
• Sleek Soloist alder body
• Three-piece through-body maple neck with graphite reinforcement and hand-rubbed oil finish
• Direct-mount Seymour Duncan JB TB-4 (bridge) and SH-1 ‘59 (neck) humbucking pickups with 3-way toggle switching
• Compound-radius ebony fingerboard with 24 jumbo frets and Alumiloid Piranha inlays
• Floyd Rose bridge

SL2Q Pro Series Soloist (in Transparent Black and Transparent Red)
• Soloist alder body with a striking quilt maple top
• Three-piece through-body maple neck with graphite reinforcement and hand-rubbed oil finish
• Direct-mount Seymour Duncan JB TB-4 (bridge) and SH-1 ‘59 (neck) humbucking pickups with 3-way toggle switching
• Compound-radius ebony fingerboard with 24 jumbo frets and Alumiloid Piranha inlays
• Floyd Rose bridge

DK2M Pro Series Dinky (in Satin Black, Snow White and Silverburst)
• Dinky alder body
• Flat-sawn graphite-reinforced bolt-on maple neck with wrap-around heel
• Direct-mount Seymour Duncan JB Zebra (bridge) and ’59 Zebra (neck) humbucking pickups with five-way blade switching
• Compound-radius maple fingerboard (dark rosewood on Snow White model) with 24 jumbo frets and offset black dot inlays (offset white dot inlays on Snow White model)
• Floyd Rose bridge

DK2MQ Pro Series Dinky (in Chlorine Burst, Transparent Black and Transparent Red)
• Dinky alder body with an eye-catching 4A 1/8" quilt maple cap
• Flat-sawn graphite-reinforced bolt-on maple neck with wrap-around heel
• Direct-mount Seymour Duncan JB Zebra (bridge) and ’59 Zebra (neck) humbucking pickups with five-way blade switching
• Compound-radius maple fingerboard (dark rosewood on Trans Red model) with 24 jumbo frets and offset black dot inl ays (offset white dot inlays on Trans Red model)
• Floyd Rose bridge

RRMG Pro Series Rhoads (in Satin Black and Matte Grey with Matte Black Bevels)
• Rhoads alder body
• Three-piece through-body maple neck with graphite reinforcement and hand-rubbed oil finish
• EMG 81 (bridge) and 85 (neck) humbucking pickups with three-way toggle switching
• Compound-radius ebony fingerboard with 22 jumbo frets and Alumiloid Shark Fin Inlays
• Anodized black aluminum control plate
• Floyd Rose bridge

RRTMG Pro Series Rhoads (in Black and Silverburst)
• Rhoads alder body
• Three-piece through-body maple neck with graphite reinforcement and hand-rubbed oil finish
• EMG 81 (bridge) and 85 (neck) humbucking pickups with three-way toggle switching
• Compound-radius ebony fingerboard with 22 jumbo frets and Alumiloid Shark Fin Inlays
• Anodized black aluminum control plate
• String-through-body TonePros fully adjustable bridge

KVMG Pro Series King V (in Black and Snow White with Black Bevels)
• Regally commanding King V alder body
• Three-piece through-body maple neck with graphite reinforcement and hand-rubbed oil finish
• EMG 81 (bridge) and 85 (neck) humbucking pickups with three-way toggle switching
• Compound-radius ebony fingerboard with 24 jumbo frets and Alumiloid Shark Fin Inlays
• Floyd Rose bridge

KVMGQ Pro Series King V (in Transparent Black and Amber Sunburst)
▪ King V alder body with a stunning quilt maple top
▪ Three-piece through-body maple neck with graphite reinforcement and hand-rubbed oil finish
▪ EMG 81 (bridge) and 85 (neck) humbucking pickups with three-way toggle switching
▪ Compound-radius ebony fingerboard with 24 jumbo frets and Alumiloid Shark Fin Inlays
▪ Floyd Rose bridge

For more information:
www.jacksonguitars.com


     

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Comments

(9 comments) display by
UsernameComment
Joe Charvin
on 10/18/2012
Guthrie Govan: "Whereas mahogany has that distinct mid-range bark, basswood seems to bring out every frequency equally, I'm not convinced that the maple cap makes a huge difference." Basswood has long been lauded for its tonal transparency - it exerts very little colour on the guitar's sound. Basswood adds no tone to color the sound = bland. Final comment on this Rick, back to my exotic wood guitars.
Rick
on 10/09/2012
Awww,its been fun guys,but lets just agree,we love guitar! I see ur point,i do!..but the variables are endless..I dont wana gtr too bright.what ever the case...I would say DK2MQ is the sweet ax........thanks Jackson!..thnx P.G.
Rick
on 10/08/2012
Suhr.com..click tone woods,see if you like there basswood. I guess its too bad Ed is about win greatest guitar player of all time @ Guitar world.com
Magneto
on 10/08/2012
I don't dislike basswood, but it's easy to see why not everyone likes the rounded sound. EVH and Satriani fans, bite me. Basswood is a mega rounded sound not everyone can dig, and getting good quality basswood can sometimes be hit or miss depending on the company.
Rick
on 10/07/2012
Let us not forget EVH Sealth wolfgang USA-The good stuff... Ol`basswood
Rick
on 10/07/2012
Hmmmmm,then Ibanez makes alot of popsicle sticks to this day.. Joe satriani would disagree with you.see Ibanez.com
Joe Charvin
on 10/06/2012
Well, six years after the Jem debuted Vai switched to alder bodies, from basswood. Unless it has a maple/other cap a basswood body sucks, yes. Soft, cheap, no grain, streaky, bleech. When shred playing was first starting to happen basswood was used because it imparted little tone to color the sound, the signal would be heavily processed. I've owned many guitars with basswood included and it's not my preferred wood. Every see a popcicle stick? Basswood.
Rick
on 10/05/2012
Really? you dont like Basswood ? My Favorite!!! They look like shredder machines too me :) Even Guthrie Govan, gave in and switched to Basswood
Joe Charvin
on 10/05/2012
At least they have alder bodies. (B)asswood sucks.



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