Magazine \ Daily News \ New Products \ Sadowsky Guitars Introduces SS-15 Archtop, True Tone Archtop Bridge

Sadowsky Guitars Introduces SS-15 Archtop, True Tone Archtop Bridge

The SS-15 is an acoustic archtop with traditional jazz appointments and styling.



Brooklyn, NY (August 21, 2010) -- Sadowsky Guitars has announced the latest addition to their lineup of archtops, the acoustic SS-15, along with their True Tone archtop bridge.



SS-15
The all acoustic brother of the Semi-Hollow, the SS-15 features the same body as the Semi, but is all acoustic with traditional jazz guitar appointments and styling. The thin body provides a more immediate acoustic response than it's larger siblings, with no compromise to its amplified tone. The 1-3/4" nut width and 14 frets to the body give the SS-15 a familiar comfort to any jazz guitarist. For the touring guitarist, the SS-15 is a perfect size for overhead airline bins and is more roadworthy than solid wood instruments.

Specs:
14-3/4" body
1-3/4: bbody depth
5-Ply Laminate Flame maple construction
24-3/4" scale length, 14 frets to body, 1-piece mahogany neck
Ebony fingerboard with 1-3/4" nut width
Abalone Cat's Eye inlays
Ebony bridge, pickguard and tailpiece
Sadowsky True-Tone compensated ebony bridge saddles.
Ivoroid binding
Black hardware
Custom wound vintage PAF style pickup with black cover
Price: $3975 w/hardshell case

True Tone Saddle
Typical archtop saddles are either an intonation compromise or are intonated for a wound G string common on heavier strings. With the exception of metal Tune-o-matic style bridges, there are no wooden bridge saddles compensated for a plain G.

Every new Sadowsky archtop comes with the True-Tone saddle set. Custom designed by Roger Sadowsky, the ebony saddles are compensated for plain and wound G strings. Tested over a six month period on many guitars prior to release, the intonation offsets offer superb intonation.

The Sadowsky True-Tone saddles are available as a retro-fit for older Sadowsky guitars, as well as any archtop bridge with standard Tune-o-matic post spacing. Saddles can be custom fit for fingerboard radius, string spacing or height by your local guitar tech. Available individually ($50) or as a set ($90).

For more information:
Sadowsky

Source: Press Release

     

Related Articles

Lick of the Day 2.0 App Launches with Agile Partners and TrueFire
Fender Expands Cabronita, Standard, and Classic Series for Spring 2013
Fuchs Releases Mantis Jr.
NAMM 2011 - Editors' Picks, Day 1
HardWire Introduces TR-7 Tremolo/Rotary Extreme Performance Pedal at Summer NAMM


Comments

(6 comments) display by
UsernameComment
Mike Richey
on 11/21/2011
Does any of these high end builders make anything anymore??? This one is made over-seas! Bull!!!!
trevg
on 04/29/2011
and as far as the whole laminate vs solid wood thing, there is a lot of heresay as far as i'm concerned. some say laminate sounds 'worse' and solid woods/tops sound 'better. also, people say that laminate guitars feed back less. truth is that laminate and solid wood guitars sound DIFFERENT. to my ear, for the sound i'm going for, i prefer laminate guitars, or laminate with a pressed top. i have played laminate guitars that feedback like crazy, and solid guitars that don't feedback, and vice versa. it totally depends on the guitar. i also know many other guitarists (jazz) that prefer laminate guitars, and not only for feedback purposes.
trevg
on 04/29/2011
i've had the ss-15 for 2 months now and i love it. i was playing an aria d'aquisto new yorker (japan) 17" full body archtop. they are different, but i far prefer the ss-15. plugged in, i pick the ss-15 by far. unplugged, they are just different. overall, i am completely blown away by the sadowsky ss-15, a completely logical, light weight, non-clunky archtop with a mean humbucker...the guitar of my dreams! (so far) worth every penny, and i'm still paying it off...also, the neck is really easy
Reinhart
on 12/02/2010
Granted, I'm more of a nylon string player looking for an archtop. I certainly like the concept of a thinner guitar. Please forgive my ignorance, but given that most jazz archtop players play amplified - and that the pickup on these guitars is magnetic in nature, is there really a need for a 'thick' guitar. As such, this guitar would appear to be in demand for a lot of players, no?
Marty
on 11/27/2010
Although I've never heard this guitar, when I hear Sadowsky's Hall or Bruno models, I can't hear any difference - at least amplified which is they only way I've heard these instruments. It seems that top flight players rave about them. Too pricey? Maybe. But my sense is that I'd prefer to have one of Sadowsky's laminates over a solid top Gibson. And I'd save thousands, too.
BlueRick
on 09/05/2010
That's a whole lotta bucks for a laminate guitar.



Your Comment:  

All comments are subject to editing or deletion by the Premier Guitar staff.

Your Name:  


Please enter the text you see in the image:  
10

FE9DE95C-47ED-45C2-9F62-6508710EE393