PG's Joe Coffey is On Location in Irwindale, CA, where he visits
Avid Digidesign HQ. In this video, we get our first look at
Digidesign's Eleven Rack.
The Eleven Rack is a guitar
recording system designed to solve the challenges guitarists face in
the studio. Eleven Rack uses a unique tone cloning design and
custom-designed True-Z input to re-create the experience of playing
through a mic'd amp. By combining studio-standard Pro Tools software
with a DSP-accelerated high-resolution interface, Eleven Rack puts
professional recording into the hands of every guitar player. Whether
you're tracking in the studio or playing on stage, this rackmountable
multi-effects processor delivers realistic guitar amp and effects tones
that will inspire your best performances.
Additionally, Eleven
Rack takes re-amping in a new direction by recording both dry and
processed guitar signals simultaneously, allowing you to re-amplify
later without patching a single cable. Digidesign even found a way to
embed the Eleven Rack amp and effects settings into the audio tracks
you record, enabling you to automatically recall those settings from
your audio files on any Pro Tools system with the Eleven Rack.
Eleven
Rack also rocks onstage as a standalone amp tone and effects signal
processor. The guitar effects processor comes with a classic collection
of guitar effects, from must-have stompboxes to world-class rackmount
studio processors. Eleven Rack has I/O flexibility that you may need to
integrate it into your existing rig, and easily incorporate the tones
you've recorded with into your live setup?closing the gap between
studio and stage. Eleven Rack rackmount processor also offers
incredibly powerful control options using affordable MIDI controllers
and expression pedals, giving you full foot control over everything
from vintage wah effects to tempo-driven delays and more.
The
tones and effects found with the Eleven Rack are inspired by classics
like Marshall, Fender, Vox, Soldano, Mesa Boogie, Electro-Harmonix,
Ibanez, ProCo, Univox and more.
|
|