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Premier Guitar is on location in Chicago where Rebecca Dirks visits with Kent Eriksson, Meshuggah's tech for guitarists Fredrik Thordendal, Marten Hagstrom, and bassist Dick Lovgren. He talks about their current live setups including signature 8-string and 7-string Ibanez guitars and Warwick basses, and how each member uses the Fractal Audio Axe-Fx.



Guitars & Basses
Fredrik Thordendal's main guitar for this tour is an 8-string Ibanez Custom Shop "Stone Man" 27" scale guitar built on his own design (pictured, left), incorporating elements of the Fireman, Firebrand, and Explorer guitars with Flying V knob placement. It has Lundgren M8 bridge and neck pickups with a coil split. He also uses the Japanese version of his signature Ibanez M8M, which is a 29.4" scale length. He uses a foam mute after the locking nut on all of his guitars. The 8-strings are tuned a half-step down, and he experiments with string gauges to get the feel that he's looking for.

Mårten Hagström's main guitar is a stock Japanese Ibanez M8M with alder body and Lundgren M8 pickups, also tuned a half-step down with a foam mute, as well as an Ibanez M8M with a swamp ash body (pictured, middle) for the first half of the set.

Dick Lövgren's main bass is nicknamed the Devil (pictured, right). It is a custom Warwick Dolphin Pro I 5-string with Bartolini pickups, an upside-down cross inlay, and is tuned Ab, Eb, Bb, F, Bb. He also uses a Warwick Dolphin Pro II 5-string, and a stock 4-string Warwick Stryker with black hardware tuned down 1.5 steps for "Bleed."

Amps & Effects
All three players use Shure ULXD1 wireless units that come into a single receiver. All three use Fractal Audio Ax-FX Ultras for their amps and effects, programmed with tempo for each song. The units are controlled by a laptop with Cubase, which automatically cycles through the patches throughout the show.





Comments

(33 comments) display by
UsernameComment
RRR
on 04/22/2013
Thanks to Rebecca and Kent for an extremely informative and charming interview! Enjoyed every moment of it and learned a lot
alexkhan
on 04/10/2013
Meshuggah gets the best ultra-high-gain sounds in the business and it's no surprise to me that the sound comes from digital modeling. I've felt for a long time that digital is best for that kind of gain. You can tone down the high-end bees-in-a-jar fizz while keeping the low-end tight, coherent and punchy and dialing in the right amount of midrange. It's a simple yet sophisticated rig and it's cool how they use the Cubase program to change the patches automatically throughout their shows. It's the right rig for what they're doing and that's all that matters in the end. I couldn't care less what gear some artist or band used as long as it sounded good and helps them get their message across musically. Gear is totally overrated. What matters is what's in the artist's mind and the heart.
Curly McCord
on 04/10/2013
Wish I could speak a second language as well as he speaks English. I get the Axe FX rig but it does make for a boring rundown. Rebecca has a really gpod grasp of things and does a great job as always. Not much to learn from this one, however.
Robert
on 04/02/2013
Re Fractal: It's not about having to lug amps around from venue to venue. It's about the sound and being able to control and modify it easily, at will, as well as providing capability to be consistent with the sound from night to night. The purist idea that it doesn't sound as good as a real amp is anachronistic. If you're used to standing in front of an ENGL Powerball you've got that frame of reference and perspective, but to 99% of the audience the Fractal is going to sound amazing. Fractal and some of the other processors are the future.
Dean
on 03/27/2013
Kent isn't stupid Anon, he just speaks more languages than you (and others over here))!
Anon
on 03/22/2013
LOL. THAT PERSON WHO GREW UP SPEAKING ANOTHER LANGUAGE HAS TROUBLE PRONOUNCING CERTAIN THINGS IN ENGLISH. HAHAHA. HE MUST BE STUPID.
youtubesux
on 03/18/2013
can someone do a youtube song of the yeah yeah! hahhaha!
sxp
on 03/17/2013
tell me who didn't think of the yeah yeah yeahs during this...
NOTCH
on 03/13/2013
Yeah yeah yeah yeah yeah yeah yeah yeah...I don't know....yeah yeah yeah yeah...I'm not sure...yeah yeah yeah
Reg
on 03/12/2013
@nick touring bands use these for a reason - they save time money and you will not tell the difference in sound quality at a live show, if anything it'll sound better because the PA will be getting a 100% clean signal. It might not be interesting to see but you gotta wonder why you are seeing more and more bands taking this approach - it's just better, cheaper, more reliable and sonically more stable than taking lots of valve heads out on the road. Bands aren't lazy or weak, they are smart and proffessional. Why would a band purposefully use something inferior in so many day to day ways just to be more interesting for a rig rundown? They just want their sound to be the same at every venue and axe-fx w/laptop MIDI control is the best way to do this currently. Try being in a touring band and you'll understand.



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