- Rig Rundowns
- Premier Blogs
We would gaze in the full length mirror perfecting our rock moves all day and night; we were kids having fun and we loved it. What I didn’t realize (as I’m sure no one else did), was that I was actually preparing for a job that I would have later in life. I was going to say a “dream job,” but I ended up living it.
At 21, I moved to L.A. to pursue a career in music. While spending time writing songs and working on my own music (shameless plug for my record … available on my website), I got a call from a friend of mine who worked at a management company. He said there was a female artist (Rebekah) there who needed “someone like me” – a guy who could play keyboards, guitar and sing like a lead singer. As it turned out, I got the gig; ten years, several world tours with various artists (Michelle Branch, Cher, New Radicals, just to name a few) and a hit international T.V. show later, I got another call.
It was from Paul Stanley.
When I checked my voicemail that early September day, I was shocked to hear that smokey, distinctive voice. He had left a message telling me that he had a solo record coming out, and wanted to talk to me (and the House Band) about playing with him. I immediately called my childhood friends and told them about the call. Growing up in the South Jersey/Philly area, rock n’ roll was our upbringing. KISS, Bon Jovi, Cinderella, etc. They were the soundtrack of our high school days. When I finally spoke with him, he was as cool and down to earth as anyone I have ever met, let alone someone who has sold around 80 million records.
After a few phone calls, Paul and his manager, Doc McGhee, invited us to dinner. It was over a meal that they offered us a job to be Paul’s band for a monthlong tour to promote Paul’s new record, Live to Win.
The timing was such that there were a few weeks left on the second season of Rock Star. After the last show, we only had a week before we had to start learning KISS/Paul songs. It was bit tight, but we learned about twenty songs and started rehearsing right away.
One thing we quickly learned about Paul is that he is an incredibly hard worker. When we first started to play, Paul Mirkovich (keyboards, vocals) said, “Paul, you don’t need to sing with us every time. We know all the singing is in a really high register.” Paul Stanley said, “This is what I do. If you play it, I’m gonna sing it.” During rehearsals, he was the first one there and the last one to leave. You rarely see that in a singer, especially one that has had the success that he has. It was really great to see someone that I admire live up to all the expectations and surpass them.
It’s always an odd thing to play music that you’ve heard on a record so many times. You have to take something that is so firmly established in your head and play it live in a way that is true to the original spirit, but also bring a fresh look on it. At least that’s how I look at it. To me, that was our job in rehearsal. I wanted us to give the new songs a live feel, and bring the same approach to some of the older material.