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Now check out Fig. 3A, played by two guitars, and then Figs. 3B and 3C, played by one guitar (with Fig. 3C adding a low a note).
Figs. 4A and 4B slow things down. These are in Bb Dorian and have an underlying swing-16ths feel. Boasting a wide range, these examples combine low notes, moving upper pull-offs composed of parallel fourths, and middle-string chords. Again, we start with Fig. 4A played by two guitars and then merge the rhythm and tenor parts in Fig. 4B.
Similarly, Figs. 5A and 5B also span more than two octaves and incorporate chords and tenor lines. Check out the nice Bb sus on beat 4 of the first measure.