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While Grimes does have a large selection of standard model instruments, he specializes in custom tailoring one-off guitars to suit the tonal, aesthetic, and playability requirements of his customers. When asked about one of his more interesting custom requests, Grimes recalled the “Family Tree” guitar he built for a well-known collector. A double-soundhole, flattop guitar, Grimes designed a fretboard with a tree of life inlay, but instead of flowers in the vine he made highly detailed engravings of the faces of the customer’s family. From the grandfather on down to a four-year- old daughter, Grimes succeeded in capturing the expressions so well that the young girl recognized all the family members.
Grimes Guitars is a relatively small shop with only one other luthier on staff. The instruments are produced slowly and meticulously by hand with just about 20 created each year. Grimes builds a few guitars at a time from start to finish, believing that he is better able to control the response and tonal characteristics as each instrument progresses.
When questioned about what present trend in luthiery would have a major effect 20 years from now, Grimes says, “I think that the current trend toward mechanization and computerization will continue to evolve, yielding guitars with high quality and lower prices.” He continued, “But I think we are still a long way off from having a computer being able to discern good wood from bad, voicing guitars depending on the stiffness of wood, and catering to the specific tonal and aesthetic needs of players looking for something special. I expect I’ll still be taking custom orders in 30 years.”
The woods used for the Jazz Laureate—available in cutaway and non-cutaway—are selected from hundreds of samples of master grade wood for their exceptional tonal characteristics and visual beauty. The backs and sides are cut from the same billet of old cello wood, ensuring visual and tonal continuity, and Grimes personally chooses and tests this wood for lightness, stiffness, sustain, and purity of tone. Appointments include five-ply wood purflings with an optional dyed wood strip in the center of the five plies, and wood bindings consisting of curly koa, rosewood, silkwood, curly maple, or African blackwood. Inlays include a multi-layered diamond consisting of alternating strips of paua shell abalone from New Zealand and mother-of-pearl.
This custom guitar, called the Pescatore, features soundholes that resemble fishhooks in the ancient Hawaiian design. Needless to say, it was built for a customer that loves to fish. The Pescatore is a departure from Grimes’ more traditional archtops in a few ways. For one, the body is not symmetrical, and it features two points in the upper bout. The location of the two soundholes imparts a unique tone since there is more room on the bass side between the bridge and the widest part of the body, and a larger area from neck to tail for the bass tones to develop. The bridge is 100 percent ebony with no metal studs or adjusting wheels, allowing the bridge to be 75 percent of the weight of a traditional archtop bridge. A lighter bridge has less damping effect on the overall tone and volume. The action is adjusted by loosening the strings and simply sliding in a slightly lower or higher saddle.
The Beamer Steel String
This double soundhole guitar was originally designed for and made popular by acclaimed Hawaiian slack key artist Keola Beamer. By moving the soundhole away from the traditional spot at the end of the fretboard, a larger area of the top can be utilized to achieve a bigger sound overall. Grimes likens the difference between one traditional 3 7/8" and two 2 7/8" soundholes to the bass richness of a 15" woofer compared to a 10" woofer on a stereo system. Available in OM (15 1/8" wide) and Concert (16" wide) sizes, the Beamer is offered with an Engelmann or Sitka spruce top and the choice of koa, mahogany, Indian rosewood, maple, or walnut for the back and sides.
25th Anniversary Koa Edition
1999 was Grimes’ 25th year of producing archtop instruments. To commemorate the milestone, he designed an archtop guitar that originally was intended to be a limited edition guitar. The design proved to be so popular that he’s still taking orders for this model. Only the most special sets of wood Grimes has acquired over the years are used to construct the 25th Anniversary Model guitars, and they all feature wooden binding and purfling with maple, rosewood, African blackwood, ebony, bloodwood, or curly koa. Available in 16", 16.5", 17", and 18" sizes, the pictured guitar is finished in Light Parchment and is loaded with an optional DeArmond Rhythm Chief 1100 pickup.
Bird of Paradise
The Bird of Paradise model is a semi-solidbody electric guitar that features carved, curly maple top and back plates with a Honduras mahogany core. The body is 60 percent solid, providing excellent sustain without the unnecessary weight of a solidbody and the feedback problems inherent in many acoustic-electrics. Designed with excellent balance in mind and weighing approximately 7.5 pounds, it is comfortable to hold for longer periods of time. Sporting an oval soundhole, the pickups and electronics are per customer’s specifications. This particular Bird of Paradise is outfitted with a pair of Seymour Duncan Seth Lovers.
Pricing and Availability
The approximate waiting period for a Grimes guitar is currently 18 months or more, depending on the order. Pricing varies per model, from $9200 for the Bird of Paradise to $18,500 for the 25th Anniversary to $22,000 for the Pescatore. With a variety of add-ons and options, the sky is certainly the limit.