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Electro-Harmonix Releases the Crying Tone Wah Wah Pedal

June 13, 2012
The Crying Tone wah wah pedal is part of a new series for Electro-Harmonix dubbed The Next Step.
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Electro-Harmonix NYC Headquarters Tour

May 8, 2012
PG's Rebecca Dirks is on location in New York, New York, where she visits the Electro-Harmonix NYC headquarters and gets led on a tour by the company's Founder and CEO Mike Matthews.
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Electro-Harmonix Releases 12AY7/6072 EH Preamp Tube

February 16, 2012
New York, NY (February 16, 2012) -- The 12AY7/6072A EH is a small signal, twin triode tube. Almost all Fender Tweed-Era amplifiers used the 12AY7 in their first preamp
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NAMM '12 - Electro-Harmonix Analogizer & Deluxe Memory Man 550-TT Demos

January 23, 2012
PG's Rebecca Dirks is On Location in Anaheim, CA, for the 2012 NAMM Show where she visits the Electro-Harmonix booth. In this segment, we get to see and hear demos of their newest guitar effects pedals -- the Analogizer and the Deluxe Memory Man 550-TT.
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Electro-Harmonix Analogizer Pedal Review

January 3, 2012
How well does it warm up digital tone?
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Electro-Harmonix Introduces the Analogizer

December 8, 2011
The pedal is designed to "thaw out" digitally processed guitar and give the sound and feel of an analog delay without the long delay time.
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Electro-Harmonix Introduces Analogizer Delay and Looper

December 7, 2011
Designed to give the sound and feel of an analog delay without the long delay times.
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Electro-Harmonix Ravish Sitar Pedal Review

November 15, 2011
Don’t let the Sitar pedal handle mislead you—this thing is a deep bag of tricks and treats.
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Electro-Harmonix Neo Mistress Pedal Review

October 18, 2011
Electro-Harmonix has packed much of the punch of the original into the company’s Nano-sized package for guitarists with limited pedalboard real estate.
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Electro-Harmonix Stereo Talking Machine Pedal Review

August 16, 2011
Electro-Harmonix’s Stereo Talking Machine does an impressive job of getting those legendary talk-box tones and much more.
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Summer NAMM '11 - Electro-Harmonix Ravish Sitar Demo

July 25, 2011
PG's Chris Kies is On Location at the 2011 Summer NAMM Show in Nashville, TN, where he visits the Electro-Harmonix booth. In this segment, we get to see and hear a demo of their newest guitar stompbox -- the Ravish Sitar pedal.
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GALLERY: Vintage Electro-Harmonix Pedals

November 4, 2010
A selection of vintage EH effects
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Tone Games 2010, Bonus Levels: 10 More Stompboxes Reviewed

October 29, 2010
Ten more stompboxes reviewed, online-only!
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Electro-Harmonix Germanium 4 Big Muff Pi Pedal Review

October 28, 2010
A dual-germanium transistor Big Muff Pi pedal alongside a dual-germanium transistor overdrive pedal
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Electro-Harmonix Freeze Sound Retainer Pedal Review

October 20, 2010
Capture a moment of your playing and extend it indefinitely.
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Builder Profile: Electro-Harmonix

October 20, 2010
Premier Guitar peeks inside the brain of Electro-Harmonix founder Mike Matthews—the man whose off-the-wall stompboxes have generated countless classic tones and changed the guitar universe forever.
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Electro-Harmonix Ring Thing Pedal Review

June 16, 2010
A wide-range ring modulator for those looking to broaden their tonal horizons
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Load Boxes and Pulling Twin Power Tubes

March 11, 2010
Looking for a simple, inexpensive load box? Make your own.
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NAMM '10: EHX Ring Thing Modulator;Iron Lung Demos

February 1, 2010
PG's Jordan Wagner is On Location in Anaheim, CA, for NAMM 2010 where he visits the Electro Harmonix Effects booth. In this segment, they demo two of their latest pedals for us; the Ring Thing Modulator and the Iron Lung Vocoder.

The Ring Thing Modulator is a modulation control allowing guitarists to explore a new sonic world that is both familiar and inventive. It boasts complex modulations with interactive parameters create any sound your mind can imagine -- from metallic sweeps to subtle color changes to unique and limitless modulations. It has articulate pitch shifting, preset tuning, selectable waveforms and external control delivers sound designer mystery, with a rock 'n' roll edge. The control knobs are Blend, Wave, Filter/Rate, Ring/Depth, Coarse and Mode (pitch-shifting).

The Iron Lung was designed around the V256 Vocoder and put in their smallest, die-cast chassis. It uses the highest resolution of 256 bands to deliver defined vocoder performance while its Gender Bender control lets you adjust a male to female emphasis that delivers numerous and exacting possibilities at the turn of a knob. An XLR input allows your microphone of choice to be used with three-independent gain controls. To round it out, the tone control integrates with the Gender Bender to refine the tone.

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