Magnatone Giveawya

August Issue

Martin

The Pinkburst Project

January 17, 2011
Twisted Sister’s Jay Jay French commissions a who’s-who of guitar and bass manufacturers to create 25 custom “pinkburst” guitars and amps to benefit research into uveitis—a disease responsible for 10 percent of blindness in the US.
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Social Distortion Acoustic Jam

September 16, 2010
PG's Chris Kies is On Location in Council Bluffs, IA, where he catches up with Social Distortion's Mike Ness and Jonny Wickersham. In this segment, we get to check out Jonny's 1930s lap steel and Mike's 1940s Gibson J-35 in action as they play us a few tunes.
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1968 Martin D-28 Pickguard Curling and Shrinkage

August 17, 2010
A small crack and pickguard replacement on a vintage Martin
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Summer NAMM '10: Martin 00-15, 0-18T Nick Reynolds

August 10, 2010
PG's Joe Coffey is On Location in Nashville, TN, for the 2010 Summer NAMM Show where he swings by the Martin Guitar booth. In this segment, we get to check out some of their newest guitars--the 00-15 & the 0-18T Nick Reynolds Tenor Guitar.

Martin's 0-18T is a cool, new tenor model with a solid Sitka spruce top, solid mahogany back and sides, and a traditional 18-style rosette. Compared to the other full-bodied Martin models, it's much smaller, but the 0-18T packs a meaty punch.

The 00-15 features a 00-14 fret body style that can be made with either solid sapele or solid mahogany (top, back, and sides). The bridge is either made of Solid Morado or Solid East Indian Rosewood, while the neck can be created from several choice hardwoods that would be matched with a solid morado or solid East Indian rosewood fingerboard.
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1890s Martin 0-28

June 16, 2010
An early Martin small-bodied acoustic
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Martin OMC-16OGTE Acoustic Guitar Review

March 18, 2010
Martin''s OMC-16OGTE acoustic uses Roland COSM modeling for a stage-ready guitar
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NAMM '10 - Martin Performing Artist GPCPA1 Demo

February 2, 2010
PG's Jordan Wagner is On Location in Anaheim, CA, for 2010 NAMM show where he visits the Martin Guitars booth. In this segment, we to check out Martin's new Performing Artist series ... specifically the GPCPA1 model.

The GPCPA1 model is equipped with Fishmans newly designed onboard sound reinforcement system, the F1 Aura -- and 9 specific tonal settings. Also, it comes with a 3-band EQ and the Gold Plus pickup. The guitar features solid Sitka spruce top, solid East Indian rosewood back and sides and has an ebony headstock, fingerboard and bridge.

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NAMM '10: Martin Guitars OMCE Mahogany, OMC-LJ Pro

January 16, 2010
PG's Jordan Wagner is On Location in Anaheim, CA, for NAMM 2010 where he visits the Martin Guitars booth. In this segment, we get introduced to two of their newest models; the OMCE Mahogany and the OMC-LJ Pro - Laurence Juber Signature Model.

The OMCE features certified mahogany blocks with Mortise/Tenon neck joint, solid certified European Spruce top, maghogany sides and black richlite.

The OMC-LJ Pro uses big leaf maple as its primary tonewood and has scalloped Adirondack spruce top braces to assure impressive resonance and dynamic range. The Adirondack spruce top, providing the full bottom associated with vintage Martin tone, combined with flamed big leaf maple back and sides, the bass is much more defined and the midrange more prominent and complex.

Deftly accented by a Style 28 wood fiber rosette, fine herringbone top inlay, fine black/white wood fiber back inlay, HD-style zigzag center strip purfling, and grained ivoroid binding. The grained ivoroid endpiece is framed by fine black/white wood fiber inlay. The ebony belly bridge is fitted with a compensated saddle

The two-piece maple neck, like that on many archtop guitars, contributes generous sustain and features a "Modified V" profile and a diamond volute at the base of the headstock. The handsome black ebony headplate bears the classic Old Style gold "C.F. Martin & Co." decal and nickel Waverly tuners with butterbean knobs. The ebony fingerboard is unadorned - with no position markers.

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Martin OMC-LJ Pro Laurence Juber Custom Artist Edition Acoustic Guitar Review

December 17, 2009
We talk with Laurence about the guitar, and let you know what you can expect from this high-end acoustic.
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