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May 2014

VHT

VHT Special 6 Ultra Amp Review

May 17, 2011
Download Example 1 Clean, Jazzy Download Example 2 Clean, Picked Download Example 3 Ultra Channel, Rhythm Clips recorded with a 2008 Fender American Stratocaster (clean) and 1978 Gibson Les
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Video Review - VHT Special 6 Ultra

May 12, 2011
PG's Jordan Wagner walks us through his latest review in the June 2011 issue of Premier Guitar -- the VHT Special 6 Ultra.
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NAMM '11 - VHT Special 6 Ultra & V-Drive Demos

February 26, 2011
PG's Rebecca Dirks is On Location at the 2011 NAMM Show where she visits the VHT Amplifiers booth. In this segment, we get to see and hear demos of their two newest products--Special 6 Ultra Head & V-Drive Overdrive.
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LA Amp Show - VHT Special 6 Ultra,AXL Badwater USA

November 2, 2010
PG's Joe Coffey is On Location at the 2010 LA Amp Show where he visits the VHT Amplifiers and AXL Guitars room. In this segment, we get to see a prototype from both companies--a VHT Special 6 Ultra head and a Badwater USA S-style guitar.

The VHT Special 6 Ultra is based on the Special 6 head that was released at last Winter NAMM, but has an EL34 power tube. The Badwater USA prototype is based on the popular Badwater import series created by AXL last year, but now they are bringing the guitars from their privately-owned Chinese factories and having them assembled, fret-dressed, and fitted with high-quality components in their California shop.
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NAMM '10 - VHT Amplifiers Special 6 Demo

January 28, 2010
PG's Rebecca Dirks is On Location in Anaheim, CA, for NAMM 2010 where she visits the VHT Amps booth. In this segment, we get our first taste of the new Special 6, hand-wired guitar amp.

The Special features hand-wired, point to point circuit board with 1-12AX7 preamp tube and 1-6V6 power tube. It boasts a footswitchable Gain Boost feature that expands its range of tones--the boost footswitch is advertised to make the Special 6 work/sound like s 2-channel amp with its distinct tonal differences. Also, the Special 6 also features a High/Low power switch that enhances low-volume tones with extra-smooth richness (when in half-power mode) and the High section is said to work at gigging volumes within a competing full-band scenario.

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