Magnatone Giveawya

August Issue

Fuzz

Rainger FX Dr Freakenstein Fuzz Pedal Review

August 10, 2012
While it’s easiest to envision it as a recording tool, the ferociously loud and cutting voice of the Dr Freakenstein Fuzz makes it a great candidate for live situations where you’re less interested in tonal purity.
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Wren and Cuff Caprid Pedal Review

July 9, 2012
The art of stompbox cloning is, at best, an inexact science. A lot of the most classic pedals vary wildly from specimen to specimen—mocking that pillar of empirical science,
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Electro-Harmonix NYC Headquarters Tour

May 8, 2012
PG's Rebecca Dirks is on location in New York, New York, where she visits the Electro-Harmonix NYC headquarters and gets led on a tour by the company's Founder and CEO Mike Matthews.
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1966 Fender Mustang, 1961 Fender Princeton, and Vintage Gibson Maestro Fuzz-Tone FZ-1A

April 6, 2012
That first real rig often holds a special spot in a player’s heart, and in the case of guitarist Brook Hoover, it was because his seminal setup sounded so good.
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Rotosound Reinvent the Vintage Fuzz Pedal

March 23, 2012
The re-issue circuit, just like the original uses a Darlington Pair for high gain input, which drives a temperature compensated ‘fuzz’ transistor.
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Catalinbread Releases the Octapussy Octave Fuzz Pedal

March 13, 2012
The Octapussy is an octave-up fuzz in the tradition of the Octavia but is an original circuit designed by Howard Gee.
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Death by Audio Apocalypse Pedal Review

March 9, 2012
For all the ominousness that the year 2012 portends for some, it’s a wonderland out there for stompbox nuts—a veritable land o’ plenty, especially if you dig fuzz. One
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MXR M84 Bass Fuzz Deluxe Pedal Review

March 9, 2012
When I first started playing bass, I was enamored with bands that made the instrument sound like a wrecking ball. Watching bassists who played massivesounding power chords just enthralled
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Caroline Guitar Company Olympia Fuzz Pedal Review

March 9, 2012
In the fuzz realm, there’s an allure to the circuits of the ’70s that attracts a very obsessive crowd. They prowl for that perfect, sinewy, buzz-saw sustain that’s graced
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