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More Primary Tele Tone Mods

February 10, 2012
Hardware has a huge influence on the primary tone of any guitar, and it’s here that different materials can really make a difference.
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How to Convert Your Axe to a Baritone

February 10, 2012
Although converting to a bari is a job just about any player can handle, there’s a lot more to it than just swapping the existing neck with a long-scale replacement. Here, ace Nashville repairman John LeVan walks you step-by-step through making yours sound spectacular and play like butter.
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Tweaking a Crate V33

February 10, 2012
Turning a Crate V33 2x12 combo into a more powerful little tone machine.
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Restoring a Prototype Gibson Cello Bass, Pt. 2

February 10, 2012
Though the groundwork was laid by Gibson, I still faced many questions and had to work through a number of mechanical designs.
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Souping Up A Fender Super 60

January 10, 2012
I recently purchased a Fender Super 60 1x12 with red knobs. I love this little monster’s clean sound and power, however, I’m not happy with the high-gain channel
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Building Blocks of Sound

January 10, 2012
Compared to choosing a guitar for its color, commissioning a custom instrument can be a labyrinth of unknowns for the average guitarist.
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Look Before You Leap

January 10, 2012
If you’ve ever thought about creating your own pedals—or are just curious about what challenges a boutique builder faces—read on.
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Primary Tone Mods for the Telecaster

January 10, 2012
You’d be surprised how many possibilities you have even with a single-pickup Esquire!
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Giving a Squier Tele the Cigar-Box Treatment

January 10, 2012
The scariest moment was sawing off the lower body—I wanted to make sure we avoided the control cavity, as that could damage wires and leave a gaping hole in the bottom of the guitar.
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Restoring A Prototype Gibson Cello Bass

January 10, 2012
The groundwork was laid by Gibson, but there are still many mechanical designs to work through and questions to answer about how the original builder intended to make it all come together.
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