Samick Motherlode

December 2014

Gear Blog

Adventures in Tone Travel

October 8, 2012
Imagine your guitar’s tone vibrations as little commuters zipping down the strings with the intention to proceed into the wood grain and then back again.
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Piezo and Optical Bass Pickups

September 5, 2012
The piezo transducer has mainly found its niche in acoustic instruments, while optical pickups still fight for visibility.
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Meet My Tele Choir

September 5, 2012
Ah, the good old Telecaster. Yes, it’s hard to play—at least in comparison to some guitars—but I view it as one of the most flexible recording and gigging guitars around.
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Musical Magic and the Guitar-Gear Medic Bag

September 5, 2012
Supporting our passion requires lots of practical consideration and planning, and this includes creating a guitar-gear medic bag.
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Saddle Up, Amigo

September 5, 2012
We’ll now look at the specific elements in the amplification signal chain in more detail.
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G&L ASAT Z Special Classic

September 5, 2012
We took a semi-hollow G&L ASAT Classic, installed an elongated ashtray bridge plate, and stuck a Z-coil pickup in the bridge position and an ASAT Special pickup (minus the cover) at the neck.
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That Modern Country Sound

September 5, 2012
The guitar sound of modern country is 70 percent ’70s-style rock and 30 percent twang.
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Replacing the Soundboard on a 1977 Martin D-35, PT. 2

September 5, 2012
After concluding that the damage was so severe that the top could not be restored without compromising the guitar’s sound—not to mention its looks—I began the process of outfitting this fine instrument with a replacement soundboard.
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Peavey Fury 6 Bass

September 5, 2012
This Fury is my go-to bass! I love it and I’m interested in the history of Fury basses, but there appears to be some different variations.
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More On Monitoring Sound In Your Studio

September 5, 2012
Let’s continue our discussion about what I consider to be the most critical component in a studio’s signal path for achieving great results: studio monitors.
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