December 2016

Gear Blog

Happy Accidents

June 14, 2011
If you accidentally capture a track from a mic that was set up in the middle of nowhere, who cares?
Read More

Making a Case for Attorney Rock

June 14, 2011
When lawyers, CEOs, doctors, and other big-money professionals pick up a guitar, people tend to wince.
Read More

Replacing the Bridge on a '74 Gibson Flattop

June 14, 2011
As I was examining the guitar, my eyes were drawn to six black bridge pins protruding from its wafer-thin rosewood bridge and strings that were sloping over a rickety, bottomed-out plastic saddle.
Read More

Ode to Gear

June 14, 2011
Whether you’re a bedroom player on a limited budget or touring the world in a major band, we’re all in the same boat: We love gear. It makes us happy.
Read More

Pignose G40V Amp Mods

June 14, 2011
If you wish to use a line out simply to send a signal to the power section of another larger head or power amp, then a very basic line out will do the job.
Read More

A Day in the Life of a Luthier

June 14, 2011
Mark Dalton takes you from open to close as the head of Huss & Dalton
Read More

The Monster Board

June 14, 2011
Having a large pedalboard with different output options allows me to have a vast palette of tones available at the stomp of a switch. In this month’s Tone Tips, I’ll give you an overview of what I call my Monster Board.
Read More

Amp Brand Bass Amplifier

June 14, 2011
AMP brand amplifiers seem to have a cult-like status and a small, but loyal following.
Read More

Dusting Off a Pignose G40V

May 17, 2011
Dear Amp Man, Please write a column about the Pignose G40V. I have not used mine in five years, so I’m curious what’s necessary to get it up and running.
Read More

Steaming out Dents in a ’71 Medallion Flying V

May 17, 2011
When it comes to Gibson’s Flying V guitars, most V fanatics rank the Medallion model as one of the most desirable. In 1971, Gibson made a limited edition of
Read More

Sale Proof

May 17, 2011
“Sale proof ” is a term dealers use for a bass or other instrument that is a slow and difficult sale. We’re going to discuss sale proof basses and the
Read More

Fear of Digital

May 17, 2011
The architecture of a basic DSP system. Digital. The very mention of the word causes many guitarists to wince, conjuring memories of harsh, inspiration-crushing tone from early rack gear
Read More

Cow-Skull Guitars and a Builder Named Boaz

May 17, 2011
Slicing a cow skull to make interior braces for a custom guitar. Photo by peckhammer Next to the 1954 Stratocaster (serial number 0168) sitting on my repair bench, I’ve
Read More

Danelectro Mutant Convertible

May 17, 2011
TOP: Could this be the love child of a Danelectro Convertible, a double-lipstick Dano U2, and a Les Paul? BOTTOM: Though it looks like a humbucker, this add-on bridge
Read More

The Secrets of Multi-Mic’ing

May 17, 2011
Mic’ing a speaker from the rear of an open-back cab can yield extra low-end booty. In this configuration, an AKG D 3500—a dynamic often used for kick drums—is positioned
Read More

Tracking the Steel-String Guitar’s Evolution, Pt. 3

May 17, 2011
To truly understand the flattop and its sonic place in the extended guitar family—a lineage that stretches back to the lute and even the oud—it’s important to listen to
Read More

Vintage or Modern? Yes!

May 17, 2011
LEFT: Twang Brothers: A blonde Fender Road Worn ’50s Telecaster and a Fender Joe Strummer Telecaster show a vintage treatment on contemporary guitars. RIGHT: Analog pedals wired with Spectraflex
Read More

Is this Gibson ES-335 legit?

May 17, 2011
Hi Zach, I’m the owner of a beautiful ES-335 I purchased in the early ’90s, and I’m trying to identify it. I don’t know anything about its history and would
Read More

MacGyver Moments that Save Your Ass

May 17, 2011
Waiting for the house lights to go down, I noticed that the neck humbucker on my guitar had dropped into the body. Vibration had loosened the adjustment screw on one
Read More

Turn it Down—A Guitarist’s Guide to Controlling Volume

May 2, 2011
Pete Thorn talks about various options to control your volume, while still maintaining your tone.
Read More