Giveaways

March

Solidbody

Fret-King Super-Matic Guitar Review

June 14, 2011
In terms of ease of use and versatility, the Super-Matic may be the most elegant and practical stab at a self-tuning system yet.
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2011 Dustin Wallace Signature Guitar

June 14, 2011
Engraved with the names of 100 donors who made the guitar possible
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1964 Gibson Firebird I

June 14, 2011
In an effort to go head-to-head against Fender’s Jazzmaster, Gibson turned to Ray Dietrich, a famous Detroit automobile designer, to help create an entirely new line.
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1968 Fender Paisley Telecaster and Telecaster Bass

June 14, 2011
In the late 1960s, Fender decided to go straight to the heart of the popular psychedelic aesthetic, and, in 1968, the Paisley Red and Blue Flower Telecasters were born.
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AXL Badwater USA 1216 Guitar Review

May 17, 2011
Download Example 1 Bridge Pickup Download Example 2 Neck Pickup Clips recorded using Fryette S.A.S. distortion pedal, Fender Pro Junior amp, Planet Waves Custom Pro cables, and Apogee Duet
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Steaming out Dents in a ’71 Medallion Flying V

May 17, 2011
When it comes to Gibson’s Flying V guitars, most V fanatics rank the Medallion model as one of the most desirable. In 1971, Gibson made a limited edition of
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Epiphone Nighthawk Custom Electric Guitar Review

May 17, 2011
Download Example 1 Clean, bridge pickup coil-tapped Download Example 2 Dirty, bridge and middle pickups Clips recorded with a 1981 Marshall JCM800 head into a Marshall JCM800 4x12 cabinet
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Laplante Guitars

May 17, 2011
Around 1994, chemistry professor and longtime guitarist Jean-Pierre Laplante, frustrated by the dearth of decent left-handed instruments available on the market and tired of playing converted right-handed models, decided to
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Hallmark Guitars Johnny Ramone Guitar Review

May 17, 2011
No one ever mistook Johnny Ramone for Django Reinhardt. But while Johnny wasn’t the most technically adroit guitarist ever, it would be hard to overstate his impact on popular
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Peter Malinoski

April 19, 2011
“I never wanted to make someone else’s instrument any more than I wanted to copy someone else’s painting,” says artist and luthier Peter Malinoski.
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