Samick Motherlode

December 2014

Lessons

Rhythm Rules: Call-and-Response Funk Guitar

March 12, 2013
Create funky grooves in the style of James Brown, Fela Kuti, and Nile Rogers by developing a "call-and-response" approach to funk guitar.
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Beyond Blues: Chromatic Colors - How to Add Outside Notes to Your Lines

March 5, 2013
Learn about neighbor tones, enclosures, and develop some ear-twisting blues lines in this lesson about adding "outside" tones to your playing.
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Deep Blues: Wayne Bennett's Blues Haiku

February 26, 2013
One of Duane Allman''s biggest influences was Wayne Bennett. Check out this lesson on Bennett''s style and cop some cool licks for a medium-tempo shuffle.
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Twang 101: Double-Stop Tricks

February 19, 2013
Combine hybrid picking, open strings, and some Nashville "snap" to get the most out of your double-stop licks.
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Style Guide: Left-Hand Techniques

February 11, 2013
Learn how to get your fretting hand in shape with some exercises that will improve your dexterity, finger independence, and legato playing.
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Beyond Blues: Understanding CAGED and the V Chord

February 6, 2013
Understand the basics of the CAGED system, learn how to move around the fretboard in all 12 keys, and create phrases that fit over the V chord in a blues.
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Brad Paisley: Concepts and Techniques

January 30, 2013
Playing a pink Paisley Tele through vintage amps with multiple delays, Paisley has re-ignited country soloing. By combining wide intervals and chromaticism with pizzazz, he has enticed us to pry at how he’s pulling it off.
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Rhythm Rules: 16th-Note Accents

January 16, 2013
Chops: Intermediate Theory: Beginner Lesson Overview: • Develop a strong command of 16th-note rhythms. • Create syncopated rhythms using muted strums. • Learn how to move accents around within
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Diary of a So-Called Shredder: Doom in E Minor

January 9, 2013
Combine picking techniques with the E-minor scale for big monster licks of doom.
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Fretboard Workshop: Move Beyond Pentatonics with Six-Note Scales

January 2, 2013
Jimmy Herring shows you how to break up predictable patterns by visualizing scales all over the fretboard.
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