Giveaways January 2015

January 15

Recording Tips

How Should You Record?

January 9, 2013
When considering using a commercial studio versus a home studio, you have to weigh the benefits and costs.
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DAW Collaboration Roulette

December 10, 2012
Exchanging DAW files with collaborators can be a frustrating challenge
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Choosing Essential Plug-ins for your Studio

November 5, 2012
Convolution reverbs like Altiverb from Audio Ease create their effects by applying the characteristics of real rooms and halls to your signals. The V-EQ3 plug-in from Waves emulates the
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Studio Legends: Keith Olsen

November 5, 2012
Keith Olsen on recording countless chart-toppers from the 1970s, ''80s, and ''90s.
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Choosing the Right DAW for Your Studio

October 8, 2012
LEFT: Ableton’s Live is an excellent tool if your productions use extensive audio and MIDI loops. RIGHT: A relative newcomer to the DAW game, Studio One from PreSonus offers
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That Modern Country Sound

September 5, 2012
The guitar sound of modern country is 70 percent ’70s-style rock and 30 percent twang.
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More On Monitoring Sound In Your Studio

September 5, 2012
Let’s continue our discussion about what I consider to be the most critical component in a studio’s signal path for achieving great results: studio monitors.
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How to Choose Studio Monitors

August 10, 2012
Many musicians spend tons of time obsessing over microphones, mic preamps, and other gear, but then purchase whatever monitors present themselves without a second thought. Big mistake!
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Secrets of Signal Flow

July 9, 2012
Top: A peek inside a Dunlop DVP1 volume pedal reveals a 250k pot that’s well suited for passive pickups and preserving highend frequencies. Bottom: Wiring job in progress. A
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Panning Your Guitar in the Mix

July 9, 2012
Universal Audio’s EP-34 Tape Echo plug-in (based on the original Echoplex tape delay units) simulates a vintage tape delay and offers opportunities for creative panning. If you want your
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