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May 2014

Intermediate

Deep Blues: Double-Stop Madness

February 22, 2012
Chops: Intermediate Theory: Beginner Lesson Overview: • Learn how to use hybrid picking to play double-stop licks. • Crate bluesy phrases in the style of Grant Green, Kenny Burrell,
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Beyond Blues: Roots Rock Primer

February 10, 2012
A few Americana-influenced blues licks that you will be able to get under your fingers quickly and use on the next Tuesday night blues jam.
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Digging Deeper: One Scale to Rule Them All

February 10, 2012
The jazz melodic minor scale is a very important improvisational tool.
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Kick Out The Jams: Both Sides of the Field - Outside Playing 101

February 10, 2012
Chops: Intermediate Theory: Intermediate Lesson Overview: • Incorporate more “outside” sounds into your playing. • Learn to use half-diminished and diminished arpeggios over dominant chords. • Create lines that
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Deep Blues: 9th Chords and the Truth, Pt. 2

January 31, 2012
Chops: Intermediate Theory: Intermediate Lesson Overview: • Learn new voicings for dominant 9th and dominant 13th chords. • Understand the basics of voice leading over a blues progression. •
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Future Rock: Pentatonic Derby

January 26, 2012
The pentatonic scale is where it all begins. However, I have found a few new ways to make it a little more interesting.
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Digging Deeper: Let Your Line Shine

January 10, 2012
Today I want to explore ways to approach improvising long, fluid, rhythmically dynamic lines.
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Beyond Blues: Slip Slidin' Away

January 10, 2012
The sound of slide guitar is incredibly intoxicating. I’ve always been drawn to it because of the singing, vocal quality that it has—so emotional and expressive.
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Fretboard Workshop: A Bitter Pill to Swallow

January 10, 2012
I had been in the hospital for nearly four months with a heart condition. Two of those months I just laid flat in bed. So when I got back home and started to play again, I tried to pick up where I had left off. Wrong!
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Orange Guitar: Freddie Green Rhythm

January 3, 2012
I’ve employed this chord sequence as a musical and versatile approach to embellishing the potentially mundane sound of a one-chord vamp.
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