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Intermediate

Shred Your Enthusiasm: I Meant to Do That

April 19, 2011
Crafting solos by playing well-selected notes on purpose because you like the way they sound, not just because they happen to fall in a convenient spot where your fingers were going anyway.
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Rhythm & Grooves: Crazy Quartal Comping

April 19, 2011
In this lesson, we’ll map out three-note forms on the lower string sets and then test-drive larger four- and five-note quartal voicings.
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Power Shred: Sweep and Tap

April 14, 2011
How to combine some sweeping arpeggio runs with both one- and two-handed tapping licks.
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Twang 101: Cascading Scales

April 6, 2011
Combing fretted notes along with open strings is a great way to beef up any simple melody by creating bell-like tones and adding more complexity to the harmony.
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Deep Blues: Blues on the Move - Transitional Blues Licks

April 5, 2011
A look at a few blues licks that use the modes to transition from one chord the next.
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Extend Yourself: Upper Extensions of 7th Chords

March 28, 2011
While upper extensions apply to all keys and several different chord types, today we’ll be looking at those of Gm7.
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Jazz Chops: Delicious Comping 101

March 24, 2011
“Comp” means not only to accompany, but also to complement. It’s the “complement” part that I’m going to focus on here.
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Acoustic Adventures: Cascading Celtic Guitar

March 15, 2011
A medley of three Celtic tunes: "Drowsy Maggie," "The Morning Dew," and "The Cup of Tea."
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Beyond Blues: The Mighty 3rd

March 15, 2011
One way to jazz up your blues playing is to focus on the mighty 3rd.
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Rhythm & Grooves: Exploring Quartal Harmony

March 15, 2011
Rather than using major and minor thirds—the intervals found in typical chordal harmony—we’re going to use fourths as our harmonic building blocks.
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Twang 101: Bending Double-Stops

March 10, 2011
Pretty much every country guitarist who has picked up a Tele has squeezed two notes together to emulate pedal steel licks or slide guitar.
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Deep Blues: Modal Blues

February 25, 2011
How to utilize the modes of the major scale to enhance your soloing.
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Fierce Guitar: Intervallic Arpeggios

February 15, 2011
Dave Martone shows you how to combine an intervallic approach to playing arpeggios with some wicked hybrid picking
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Rhythm & Grooves: Open for Business

February 15, 2011
In this third and final part of our series, we’ll integrate some of the different forms we’ve discovered thus far and continue to blanket the fretboard with fresh chordal colors.
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Beyond Blues: Triads Over Minor Blues

February 15, 2011
Tomo Fujita''s debut column will help you break out of the old minor-pentatonic shapes.
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Modal Workshop: Intervallic Structures

February 15, 2011
Alex Machacek shows you voicings to expand your chord vocabulary.
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Twang 101: Forward and Backward Rolls

February 3, 2011
Learn this style—adapted to country guitar from banjo players—that''ll give you more efficiency in your picking and a fuller sound.
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Deep Blues: Pentatonic Passing Tones

January 26, 2011
Spice up the minor pentatonic scale by adding some cool passing tones
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