August

Intermediate

Triad Pairs

January 17, 2011
Using triad pairs is simply an intervallic approach to improvisation. When used correctly, the technique can generate some very interesting sounds.
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Super Locrian Improv: Jazz-Rock Fusion Applications for this Mode of the Melodic Minor Scale

January 17, 2011
A useful mode of the melodic minor is known as Super Locrian. This is the seventh mode of melodic minor.
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Hybrid Picking: Examples and Exercises for Attacking the Strings With a Combo of Pick and Fingers

January 17, 2011
Hybrid picking incorporates the pick along with one or more right hand fingers, resulting in a hybrid of pickstyle and fingerstyle.
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Guide-Tone Arpeggios

January 17, 2011
Exploring ways to focus our single-note lines and interject some cool voice-leading ideas into our vanilla arpeggios.
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Rhythm & Grooves: Going Up?

January 17, 2011
We’re in the process of exploring ways to make three-note voicings sound bigger than typical triads.
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Country Guitar Endings: Classic Lines to Bring the Song to a Convincing Close

January 17, 2011
Country tunes can be brought to a close in a number of ways: vamping on the song’s last chord, tossing in an interesting harmonic twist, interjecting one of several classic bluegrass clichés, or unleashing a barn-burning, country-fried double-stop lick.
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Twang 101: Rockabilly Intros and Outros

January 6, 2011
Bookend your rockabilly tunes with these popular intros and outros.
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Triad Arpeggios Applied

January 6, 2011
Using triad arpeggios over a progression to make your playing more melodic.
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Deep Blues: Target Tones - Tighten Up Your Blues Comping

December 31, 2010
Rhythmic styles based in horn and piano parts of Albert King and James Brown tunes.
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Lethal Guitar: Lydian Jumpstart

December 30, 2010
Using the Lydian mode in the style of Steve Vai
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Classical Techniques: Rest Strokes and Free Strokes for Solo Fingerstyle Guitar

December 21, 2010
The technique for playing “lead” on classical guitar is almost always a rest stroke.
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Combining Techniques

December 21, 2010
Creating new licks and sequences using string skipping, barring, and hammer-ons from nowhere.
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Playing With Blocks

December 21, 2010
Let’s examine several important elements of a block-chord technique used by Wes Montgomery
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Rhythm & Grooves: Hybrid-Picking Pals

December 21, 2010
Hybrid picking combines the power and speed of flatpicking with some benefits of a purely fingerstyle approach
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Chord-Melody Improvisation: Solo Jazz Guitar Arrangement Over the Chord Changes of "Indiana"

December 21, 2010
Solo Jazz Guitar Arrangement Over the Chord Changes of "Indiana"
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Piedmont Blues: Capture a Ragtime Sound With This Fingerstyle Piece in Drop D Tuning

December 21, 2010
Capture a Ragtime Sound With This Fingerstyle Piece in Drop D Tuning
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Alternate Pentatonics

December 21, 2010
Take a simple pentatonic scale and really turn it upside down by changing the harmonic context in which we use it.
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Triad Arpeggios

December 16, 2010
Learn how to practice triad arpeggios and apply them to your writing and playing.
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Twang 101: Advanced Rockabilly Rhythm

December 10, 2010
Apply the techniques you''ve learned so far for a
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Deep Blues: Target Tones - Tighten Up Your Blues Soloing

November 29, 2010
A cool strategy to use over a 12-bar blues to land on the coolest notes of each chord
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