Louis Electric

November issue is here!

Intermediate

Fierce Guitar: Intervallic Arpeggios

February 15, 2011
Dave Martone shows you how to combine an intervallic approach to playing arpeggios with some wicked hybrid picking
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Rhythm & Grooves: Open for Business

February 15, 2011
In this third and final part of our series, we’ll integrate some of the different forms we’ve discovered thus far and continue to blanket the fretboard with fresh chordal colors.
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Beyond Blues: Triads Over Minor Blues

February 15, 2011
Tomo Fujita''s debut column will help you break out of the old minor-pentatonic shapes.
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Modal Workshop: Intervallic Structures

February 15, 2011
Alex Machacek shows you voicings to expand your chord vocabulary.
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Twang 101: Forward and Backward Rolls

February 3, 2011
Learn this style—adapted to country guitar from banjo players—that''ll give you more efficiency in your picking and a fuller sound.
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Deep Blues: Pentatonic Passing Tones

January 26, 2011
Spice up the minor pentatonic scale by adding some cool passing tones
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Lethal Guitar: Mixolydian Madness

January 25, 2011
In the following examples we illustrate a basic Mixolydian scale, a 7th arpeggio or two and finally, examples of the minor five chord in melodic ideas.
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Fingerpicking Blues: Classic 8-Bar Blues Solos in First Position

January 17, 2011
The following solos show how to play unaccompanied, solo blues in first position.
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Triad Pairs

January 17, 2011
Using triad pairs is simply an intervallic approach to improvisation. When used correctly, the technique can generate some very interesting sounds.
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Super Locrian Improv: Jazz-Rock Fusion Applications for this Mode of the Melodic Minor Scale

January 17, 2011
A useful mode of the melodic minor is known as Super Locrian. This is the seventh mode of melodic minor.
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