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Intermediate

Going Up?

January 17, 2011
We’re in the process of exploring ways to make three-note voicings sound bigger than typical triads.
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Country Guitar Endings: Classic Lines to Bring the Song to a Convincing Close

January 17, 2011
Country tunes can be brought to a close in a number of ways: vamping on the song’s last chord, tossing in an interesting harmonic twist, interjecting one of several classic bluegrass clichés, or unleashing a barn-burning, country-fried double-stop lick.
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Twang 101: Rockabilly Intros and Outros

January 6, 2011
Bookend your rockabilly tunes with these popular intros and outros.
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Triad Arpeggios Applied

January 6, 2011
Using triad arpeggios over a progression to make your playing more melodic.
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Deep Blues: Target Tones - Tighten Up Your Blues Comping

December 31, 2010
Rhythmic styles based in horn and piano parts of Albert King and James Brown tunes.
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Lethal Guitar: Lydian Jumpstart

December 30, 2010
Using the Lydian mode in the style of Steve Vai
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Classical Techniques: Rest Strokes and Free Strokes for Solo Fingerstyle Guitar

December 21, 2010
The technique for playing “lead” on classical guitar is almost always a rest stroke.
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Combining Techniques

December 21, 2010
Creating new licks and sequences using string skipping, barring, and hammer-ons from nowhere.
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Playing With Blocks

December 21, 2010
Let’s examine several important elements of a block-chord technique used by Wes Montgomery
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Hybrid-Picking Pals

December 21, 2010
Hybrid picking combines the power and speed of flatpicking with some benefits of a purely fingerstyle approach
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