August Issue

Intermediate

Twang 101: Cascading Scales

April 6, 2011
Combing fretted notes along with open strings is a great way to beef up any simple melody by creating bell-like tones and adding more complexity to the harmony.
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Deep Blues: Blues on the Move - Transitional Blues Licks

April 5, 2011
A look at a few blues licks that use the modes to transition from one chord the next.
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Extend Yourself: Upper Extensions of 7th Chords

March 28, 2011
While upper extensions apply to all keys and several different chord types, today we’ll be looking at those of Gm7.
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Jazz Chops: Delicious Comping 101

March 24, 2011
“Comp” means not only to accompany, but also to complement. It’s the “complement” part that I’m going to focus on here.
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Acoustic Adventures: Cascading Celtic Guitar

March 15, 2011
A medley of three Celtic tunes: "Drowsy Maggie," "The Morning Dew," and "The Cup of Tea."
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Beyond Blues: The Mighty 3rd

March 15, 2011
One way to jazz up your blues playing is to focus on the mighty 3rd.
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Rhythm & Grooves: Exploring Quartal Harmony

March 15, 2011
Rather than using major and minor thirds—the intervals found in typical chordal harmony—we’re going to use fourths as our harmonic building blocks.
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Twang 101: Bending Double-Stops

March 10, 2011
Pretty much every country guitarist who has picked up a Tele has squeezed two notes together to emulate pedal steel licks or slide guitar.
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Deep Blues: Modal Blues

February 25, 2011
How to utilize the modes of the major scale to enhance your soloing.
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