Louis Electric

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Shred Your Enthusiasm: 250 Years of "Scarified"

March 9, 2012
Chops: Intermediate Theory: Intermediate Lesson Overview: • Learn the correct way to steal from the classical masters. • Understand the “real” way to play “Scarified.” • Create long, flowing
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Shred Your Enthusiasm: The Guilty Pleasure of Sonic Bell-Bottoms

December 20, 2011
Decades passed, and at some point it occurred to me to revisit some of those lost licks of the ’70s. It was very much like looking at a pair of bell-bottom pants and thinking, “You know, those are actually pretty cool.”
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Elf Licks of Doom

December 6, 2011
I thought we’d explore a giant monster lick from “Emberfall,” a song from my album, Machine Elves.
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Digging Deeper: Bridging The Comping Gap

November 15, 2011
How to develop your own personal concept of accompaniment—or “comping,” as it’s known in jazz—from the perspective of rhythm first, and then harmony.
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Shred Your Enthusiasm: The Oldsmobile Rides Again

November 15, 2011
After the show, my bandmates and I piled back into my newly purchased but very previously owned Oldsmobile and headed back into farm country where the chickens and our guitars awaited us.
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That Can Be Arranged: Chords That Keep On Giving

October 12, 2011
I tend to be a bit obsessive when working on a technique or concept and recently diminished harmony has been filling my time.
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Jazz Bootcamp: Pianist Envy

September 7, 2011
Trying to replicate what you hear on an Oscar Peterson or Bill Evans album can be a daunting task for any guitarist.
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Shred Your Enthusiasm: Reticulated Python Eats Bear

August 16, 2011
Can I bite off a giant arpeggio and digest it in one bear-sized piece? Or will I get better results from dividing up the arpeggio into smaller segments I can digest gradually over time?
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Shred Your Enthusiasm: Thanksgiving at Ted Nugent's House

July 19, 2011
This month, I want to show you how to play minor seven flat five, and why it sounds so good.
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Inside Jazz: Alphabetic Junctions

July 19, 2011
If we take the English alphabet and display it alongside a scalar series, the two separate systems become a device that can translate the language of words into one of melodies.
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