Magnatone Giveawya

September 2014

Acoustic

Context is Everything

December 20, 2011
By now you may be thinking, “What is this story doing in a column about acoustic amplification?” It has everything to do with understanding and choosing the right gear for the job.
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1955 Gibson J-160E

December 20, 2011
The J-160E was introduced in 1954 and had the more conventional look of the popular J-45 and Southern Jumbo models.
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Rainsong S-OM1000N2 Studio Series OM Acoustic Guitar Review

November 15, 2011
The RainSong Studio Series OM is a sturdy, balanced, playable, and well-proportioned instrument that’s perfect for any serious guitarist that’s always on the run.
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Lemons to Lemonade

November 15, 2011
I have touched on the many challenges we and most other builders face every day, so when you’re at your job thinking, “I’d give anything to be making guitars all day long,” you will know that though it has its moments, it also has its moments—if you know what I mean.
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Harmony Archtone H1213

November 15, 2011
There are hundreds of thousands of Harmony guitars out there, and though these are mostly entry-level instruments, they’re very much a part of guitar history.
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2011 in Review

November 15, 2011
As projected, the 2011 market became even more aligned with players, rather than collectors, and certainly not investors.
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Acoustic Adventures: The Fingerpicking Engine

October 18, 2011
If you find yourself among the players who still lack a system for fingerpicking that prevents you from producing these sounds, perhaps your “fingerpicking engine” needs a tune-up.
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"The Right Look" in Guitars

October 18, 2011
Some of the guitars I see have that certain something (some don’t) and are visually appealing enough for me to approach and take a closer look.
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1937 Martin D-28

October 18, 2011
More than 70 years after its first appearance, the dreadnought remains the most popular flattop body style among acoustic guitarists.
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Shadow NanoFlex-6 Pickup System Review

October 18, 2011
Shadow’s new Nanoflex-6 pickup system takes a very practical approach to the concept of hexaphonic pickups, which effectively consist of a pickup for each string.
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