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Acoustic

Taylor 710ce Rosewood Acoustic Guitar Review

May 11, 2012
The Taylor 710ce Rosewood is a great reminder of how good a Taylor can play, feel, and sound when there’s nary an amp or PA for miles around.
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Martin Style A Mandolin

May 11, 2012
Martin mandolins are not worth nearly as much as their guitars, they were a vital component in Martin’s success in the early 20th century.
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1955 Gibson J-200

May 11, 2012
The guitar featured this month is one of 41 natural-finished J-200s made in 1955
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Of Tree Elves and Hide Glue

May 11, 2012
There are some notions about how certain things affect guitar tone and volume that, I think, we just don’t know for sure.
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Breedlove Voice Revival OM/SMe Acoustic Guitar Review

April 25, 2012
This take on a more traditional design features L.R. Baggs'' Anthem Tru-Voice pickup for authentic plugged-in sounds.
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Listening Deeply to Acoustic Guitar Sound

April 6, 2012
Mostly, the guitar is supposed to be about sound. But that’s the hardest of all of these to pin down.
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Blueridge BG-2500 Super Jumbo Acoustic Guitar Review

April 6, 2012
Blueridge’s BG-2500 Super Jumbo, reviewed here, isn’t a strict reinterpretation of Gibson’s grande dame, it riffs on the concept in a positively celebratory way that looks fantastic and results in some very big and rich sounds too.
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Choosing Your Gear for a Pub Gig

March 9, 2012
Once upon a time, acoustic guitarists needed to haul a van’s worth of gear to a gig to amplify their instruments and vocals. Today’s sound-reinforcement gear is far more
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My Gibson J-45 Skull Guitar

March 9, 2012
This was once a Gibson J-45—we think. Now, it looks like a cross between Edvard Munch’s painting “The Scream” and the townspeople in Tim Burton’s The Nightmare Before Christmas.
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Dad’s Old Guitar

February 10, 2012
It had been his dad’s guitar since the age of 16, when his uncle bought it for him around 1940 at a pawnshop in Roanoke, Virginia.
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1957 Gretsch 6022 Rancher

February 10, 2012
The Rancher was a 17"-wide jumbo acoustic with a triangular soundhole based on Gretsch’s earlier 125F, but with Western-themed decorations similar to the Chet Atkins 6120, 6121, and the 6130 Round Up.
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Martin Style Types

February 10, 2012
Style numbers indicate the construction materials and appointments of the guitar, and this system allows for several combinations between body shapes and styles.
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Style Guide: Acoustic Blues Guitar

February 7, 2012
Today we’ll look at three types of bass lines that help define the sound of three sub-styles of fingerstyle blues: monotone bass, alternating bass, and boogie-woogie bass.
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Guitar Making: The Ultimate Hobby In Retirement?

January 10, 2012
Lutherie provides the opportunity to meet and get to know a whole bunch of interesting people who are sometimes quirky, but never stupid.
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Fretboard Workshop: A Bitter Pill to Swallow

January 10, 2012
I had been in the hospital for nearly four months with a heart condition. Two of those months I just laid flat in bed. So when I got back home and started to play again, I tried to pick up where I had left off. Wrong!
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