Samick Motherlode

December 2014

Arpeggios

Beyond Blues: Chromatic Colors - How to Add Outside Notes to Your Lines

March 5, 2013
Learn about neighbor tones, enclosures, and develop some ear-twisting blues lines in this lesson about adding "outside" tones to your playing.
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Beyond Blues: Diminished Capacity

August 10, 2012
I’ve always been a fan of Robben Ford, Larry Carlton, and more recently, Matt Schofield. Influenced by the jazz language, they will use more complex ideas but don’t sound brainy doing it.
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Shred Your Enthusiasm: One, Two, Three, Four

August 10, 2012
If one had to choose the best “one, two, three, four” in all of recorded music, who would get the prize?
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Jazz Bootcamp: Breaking Down Minor II-Vs

June 18, 2012
The minor IIm-V7-Im progression often has people guessing. But as soon as you start exploring some of the different modes of minor scales, you can find sounds that you won’t get from your basic garden-variety major scale.
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Fretboard Workshop: Avoiding Practice

May 11, 2012
Learn how to transform otherwise boring exercises into musical phrases.
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Jazz Chops: Arpeggio Blowout

March 27, 2012
Learn how to connect arpeggios in all 12 keys and play ascending and descending shapes all over the neck.
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Kick Out The Jams: Both Sides of the Field - Outside Playing 101

February 10, 2012
Chops: Intermediate Theory: Intermediate Lesson Overview: • Incorporate more “outside” sounds into your playing. • Learn to use half-diminished and diminished arpeggios over dominant chords. • Create lines that
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The Thinking Shredder: Open Heart and Open Voice

November 9, 2011
Ideas that will give your arpeggios a more angular sound.
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Twang 101: Gallop Picking

November 1, 2011
Gallop picking is a technique that combines forward rolls with open strings to create a lush sound.
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Acoustic Adventures: The Fingerpicking Engine

October 18, 2011
If you find yourself among the players who still lack a system for fingerpicking that prevents you from producing these sounds, perhaps your “fingerpicking engine” needs a tune-up.
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