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Arpeggios

Rhythm & Grooves: Picking on the Ring Finger

October 18, 2011
This month we begin a series of lessons that focus on developing fingerstyle chops.
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Rhythm & Grooves: Spin the Wheel, Map the Fretboard

September 20, 2011
Learning to name the notes on the fretboard is a big deal. The goal is to be able to press any string to any fret and immediately identify the resulting note.
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Jazz Bootcamp: Pianist Envy

September 7, 2011
Trying to replicate what you hear on an Oscar Peterson or Bill Evans album can be a daunting task for any guitarist.
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Shred Your Enthusiasm: Reticulated Python Eats Bear

August 16, 2011
Can I bite off a giant arpeggio and digest it in one bear-sized piece? Or will I get better results from dividing up the arpeggio into smaller segments I can digest gradually over time?
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Rhythm & Grooves: Running in Circles

August 16, 2011
Do you ever feel trapped on the fretboard? Comfortable in certain keys, but utterly lost in others? If so, you’re not alone.
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The Thinking Shredder: Tapping Into the Unusual

August 2, 2011
Today, we are going to look at an unusual way of combining right- and left-hand tapping with some basic scale shapes.
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Fretboard Workshop: Connecting Chords

July 19, 2011
As chords move from one to the next in vocal music, the music flows most naturally when each singer sings a smooth melodic line, connecting the notes without awkward leaps.
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Rhythm & Grooves: Sparkle Voicings

June 14, 2011
In this lesson, we’ll adapt—and greatly simplify—Lenny Breau’s approach, and use it to generate chord voicings that would be difficult or impossible to play with standard guitar technique.
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Rhythm & Grooves: Stealth Quartal Colors

May 17, 2011
For two months now, we’ve been investigating quartal harmony and learning how to use fourths as building blocks for our chord voicings, rather than the traditional thirds. We’ve looked
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Fierce Guitar: Intervallic Arpeggios

February 15, 2011
Dave Martone shows you how to combine an intervallic approach to playing arpeggios with some wicked hybrid picking
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