Samick Motherlode

December 2014

Chords

Fingerstyle Workout: Exploring Stride Guitar

April 19, 2011
I enjoy using this style when accompanying a singer or horn player in a duo setting. It’s a nice change of pace from the usual roles of walking bass lines and comping à la Joe Pass, or playing a chord on every beat to mimic Freddie Green’s big-band rhythm sound.
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Inside Jazz: Linear Transformations

April 19, 2011
There are two distinctly different ways to expand the chord form—our skeletal melody—into linear improvisations.
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Rhythm & Grooves: Crazy Quartal Comping

April 19, 2011
In this lesson, we’ll map out three-note forms on the lower string sets and then test-drive larger four- and five-note quartal voicings.
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Extend Yourself: Upper Extensions of 7th Chords

March 28, 2011
While upper extensions apply to all keys and several different chord types, today we’ll be looking at those of Gm7.
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Jazz Chops: Delicious Comping 101

March 24, 2011
“Comp” means not only to accompany, but also to complement. It’s the “complement” part that I’m going to focus on here.
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Inside Jazz: Automatic Voicings

March 15, 2011
Exploring how you can use diminished and augmented shapes to create automatic voicings.
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Rhythm & Grooves: Exploring Quartal Harmony

March 15, 2011
Rather than using major and minor thirds—the intervals found in typical chordal harmony—we’re going to use fourths as our harmonic building blocks.
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Rhythm & Grooves: Open for Business

February 15, 2011
In this third and final part of our series, we’ll integrate some of the different forms we’ve discovered thus far and continue to blanket the fretboard with fresh chordal colors.
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Beyond Blues: Triads Over Minor Blues

February 15, 2011
Tomo Fujita''s debut column will help you break out of the old minor-pentatonic shapes.
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