Magnatone Giveawya

August Issue

Jazz

Album Review: Andy Reiss, Ranger Doug, and Bobby Durham - "The Art of the Archtop"

November 15, 2011
If you’re a fan of classic archtop guitar, you’ll be delighted with this beautifully recorded and relentlessly swinging set of tunes celebrating the f-hole sound.
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Book Review: "Guitar Etudes: Warmup Excercises for Guitar" By Pat Metheny

October 18, 2011
. Jazz guitarist Pat Metheny recently released a book of guitar etudes that outlines what his typical pre-gig routine entails.
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That Can Be Arranged: Chords That Keep On Giving

October 12, 2011
I tend to be a bit obsessive when working on a technique or concept and recently diminished harmony has been filling my time.
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Digging Deeper: Learning Tunes in Three Dimensions

September 20, 2011
One of the things I’ve always been really fascinated by is the idea of “finding your own voice.”
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Beyond Blues: Major Chords, Minor Blues

August 16, 2011
Discover how the same type of chord voicing can perform different harmonic functions.
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Digging Deeper: Groove is in the Heart

August 16, 2011
How much control do you have when it comes to note placement?
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Stanley Clarke: A Bass Man and His Upright Desires

July 19, 2011
Fusion legend Stanley Clarke talks about his double-bass roots, his bevy of Alembic electrics, why all bassists should jam with other 4-stringers, and his recent reunion album with fellow Return to Forever bandmates Chick Corea and Lenny White.
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CD Review: Various Artists - "The New Universe Music Festival 2010"

July 19, 2011
Last November, in a theater in North Carolina, some of the greatest jazz/rock musicians alive came together for the inaugural New Universe Music Festival.
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CD Review: Ben Allison - "Action-Refraction"

May 17, 2011
Ben Allison Action-Refraction Palmetto Records Combining seemingly unrelated genres or interpreting songs in an unusual way is nothing new or groundbreaking, but bassist Ben Allison’s new release, Action- Refraction, is
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Rhythm & Grooves: Exploring Quartal Harmony

March 15, 2011
Rather than using major and minor thirds—the intervals found in typical chordal harmony—we’re going to use fourths as our harmonic building blocks.
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