Friedman Amps

August Issue

Rock

Fretboard Workshop: Shapes on Strings

October 18, 2011
Do you ever feel boxed in by standard tuning? You start writing a song, but it keeps sounding like something that’s already been written.
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DVD Review: Iggy and the Stooges - "Raw Power Live"

October 18, 2011
James Williamson, who took over the guitar throne for Asheton for the band’s most famous album, 1972’s Raw Power, was back in the fold when the band performed the record in its entirety at the All Tomorrow’s Parties festival in Monticello, New York.
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Beyond Blues: British Blues

September 20, 2011
The Brit school is a bit more of a mix of major and minor blues scales, as opposed to the straight minor blues sound that’s associated with Texas blues.
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Shred Your Enthusiasm: Seafood and Juggling—a Love Story

September 20, 2011
The following phrases are so fresh to me, if they had legs they would still be wiggling around in the air.
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Kick Out The Jams: One-Chord Monte

September 20, 2011
Soloing over one chord can either be the most freeing musical experience or the most terrifying.
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CD Review: Red Hot Chili Peppers - "I'm With You"

September 20, 2011
The great news for RHCP fans is that new guitarist Josh Klinghoffer—a longtime Frusciante friend and collaborator who toured with the band for Stadium—is an excellent fit.
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CD Review: Wild Flag - "Wild Flag"

September 20, 2011
Wild Flag is not just a reworked version of Sleater-Kinney, but like that band, it’s so absolutely unique and innovative that it’s scary.
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Primus: 3-Ring Circus

September 20, 2011
Primus’ Les Claypool and Ler LaLonde reveal how friendship and new tone toys helped them resurrect the most bizarre power trio of the last 25 years.
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Rig Rundown - The Mars Volta's Omar Rodriguez-Lopez

August 30, 2011
PG's Chris Kies is On Location in Chicago with guitarist Omar Rodrigues-Lopez and check out his live rig
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Shred Your Enthusiasm: Reticulated Python Eats Bear

August 16, 2011
Can I bite off a giant arpeggio and digest it in one bear-sized piece? Or will I get better results from dividing up the arpeggio into smaller segments I can digest gradually over time?
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