Louis Electric

November issue is here!

Rock

Groupings and Accents

January 17, 2011
What is the best way to increase picking speed when you seem to have hit the velocity ceiling?
Read More

Super Locrian Improv: Jazz-Rock Fusion Applications for this Mode of the Melodic Minor Scale

January 17, 2011
A useful mode of the melodic minor is known as Super Locrian. This is the seventh mode of melodic minor.
Read More

CD Review: Purling Hiss - "Hissteria"

January 17, 2011
Hissteria is brimming with Motor City riffery fished from a murky pond polluted by the melted vinyl of old Stooges, Alice Cooper, and Bob Seger System LPs.
Read More

Triad Arpeggios Applied

January 6, 2011
Using triad arpeggios over a progression to make your playing more melodic.
Read More

Combining Techniques

December 21, 2010
Creating new licks and sequences using string skipping, barring, and hammer-ons from nowhere.
Read More

CD Review: Group Inerane - "Guitars From Agadez, Vol. 3"

December 21, 2010
Guitars from Agadez Vol. 3 is essentially a field recording of a band making supremely intense, imaginative, and original guitar music in the face of no-joke, real-world adversity.
Read More

Tapping Technique: Bi-Dextral Hammer-Ons in the Style of Eddie Van Halen

December 21, 2010
Often referred to as two-hand tapping, this technique was revolutionized and popularized by Eddie Van Halen in the late 1970s (“Eruption,” 1978) and taken to extremes by guitarists such as Steve Vai, Joe Satriani, Jennifer Batten, and jazz great Stanley Jordan.
Read More

Hybrid-Picking Pals

December 21, 2010
Hybrid picking combines the power and speed of flatpicking with some benefits of a purely fingerstyle approach
Read More

CD Review: Social Distortion - "Hard Times and Nursery Rhymes"

December 21, 2010
For the avid Social Distortion listener, most of the tried-and-true elements are still there—gritty guitars through overdriven tube amps, Ness’ storytelling lyrics, and high-octane rhythms—but they’re more refined and polished.
Read More

Alternate Pentatonics

December 21, 2010
Take a simple pentatonic scale and really turn it upside down by changing the harmonic context in which we use it.
Read More