Giveaways January 2015

January 15

Shred

The Thinking Shredder: Speed, Accuracy, and Dexterity

April 25, 2011
Breaking down large musical ideas and examples into manageable parts and practicing them over and over to develop speed.
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Power Shred: Diminished Sweeps

February 28, 2011
Herman Li''s debut lesson looks at getting more out of your licks through diminished chords and hammer-ons and pull-offs
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Fierce Guitar: Intervallic Arpeggios

February 15, 2011
Dave Martone shows you how to combine an intervallic approach to playing arpeggios with some wicked hybrid picking
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Groupings and Accents

January 17, 2011
What is the best way to increase picking speed when you seem to have hit the velocity ceiling?
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Super Locrian Improv: Jazz-Rock Fusion Applications for this Mode of the Melodic Minor Scale

January 17, 2011
A useful mode of the melodic minor is known as Super Locrian. This is the seventh mode of melodic minor.
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Triad Arpeggios Applied

January 6, 2011
Using triad arpeggios over a progression to make your playing more melodic.
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Lethal Guitar: Lydian Jumpstart

December 30, 2010
Using the Lydian mode in the style of Steve Vai
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Combining Techniques

December 21, 2010
Creating new licks and sequences using string skipping, barring, and hammer-ons from nowhere.
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All That Remains: Against the Wind

December 21, 2010
Oli Herbert and Mike Martin of All That Remains talk about their new album, "For We Are Many," how John Mayer and the blues figure into their band dynamic, and how they couldn’t care less what orthodox headbangers think of their melodic metal.
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Tapping Technique: Bi-Dextral Hammer-Ons in the Style of Eddie Van Halen

December 21, 2010
Often referred to as two-hand tapping, this technique was revolutionized and popularized by Eddie Van Halen in the late 1970s (“Eruption,” 1978) and taken to extremes by guitarists such as Steve Vai, Joe Satriani, Jennifer Batten, and jazz great Stanley Jordan.
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