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Breedlove Oregon Series C20/SMYe Acoustic Guitar Review

April 15, 2013
Bound to appeal to a wide swath of fingerstylists and singer-songwriters, Breedlove''s new Oregon Series C20/SMYe has enough range to sound feather-delicate or downright propulsive.
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Interview: Early Graves - Thrash in the Saddle Again

April 15, 2013
After a series of tragic setbacks—including the death of founding vocalist Makh Daniels—Chris Brock and Early Graves charge back into the metal fray and emerge triumphant with a thundering masterpiece.
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Spaceman Saturn V Harmonic Booster Pedal Review

April 15, 2013
For those who relish the profound shifts in color and mood that a little volume or tone knob tweak can provide, the Saturn V Harmonic Booster has the potential to be a very special, even indispensable piece of gear.
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Album Review: Joe Satriani - "Unstoppable Momentum"

April 8, 2013
Not since the heyday of hearing “Satch Boogie” and “Cliffs of Dover” on the radio has instrumental guitar rock been so fun.
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Album Review: Brad Paisley - "Wheelhouse"

April 3, 2013
Country shred, double-stop licks, and G-bender pulls salvage Paisley''s most pop-sounding album to date.
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Eastman AR371CESB Archtop Review

April 3, 2013
Eastman''s affordable jazzbox puts ES-175 style in the hands of jazzers and rockers alike for under $800.
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Ibanez AFJ957 7-String Archtop Review

March 27, 2013
At just $800, this Premier Gear Award-winning 7-string jazz box from Ibanez is perhaps the least-expensive, quality 7-string hollowbody on the market.
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Z.Vex Basstortion Pedal Review

March 26, 2013
The mad scientists at Z.Vex dial up some amp-inspired overdrive tailored specifically for bassists with the Basstortion.
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Way Huge Echo-Puss Pedal Review

March 20, 2013
The Echo-Puss is designed to appeal to players who favor the delay times and modulation circuitry of delay pedals from the ’70s and ’80s
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Z.Vex Loop Gate Pedal Review

March 13, 2013
The Loop Gate combines the relatively simple and familiar principles of noise gating and effects loops in a way that opens up huge new tonal possibilities.
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