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May 2014

Sound Samples

Carvin HH2 Allan Holdsworth Electric Guitar Review

February 4, 2013
Boasting a headstock-free design, all-in-one bridge, tailpiece, and tuner assembly affixed to its tail end, Carvin''s new HH2 will evoke thoughts of Steinberger for many.
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Yuri Landman Makeover: Flying Double Dutchman Crunch

January 30, 2013
Experimental luthier Yuri Landman shows us how to turn a cheap axe into a raging sonic ghost ship with just a handful of parts and a generous helping of reckless abandon.
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Brad Paisley: Concepts and Techniques

January 30, 2013
Playing a pink Paisley Tele through vintage amps with multiple delays, Paisley has re-ignited country soloing. By combining wide intervals and chromaticism with pizzazz, he has enticed us to pry at how he’s pulling it off.
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Rhythm Rules: 16th-Note Accents

January 16, 2013
Chops: Intermediate Theory: Beginner Lesson Overview: • Develop a strong command of 16th-note rhythms. • Create syncopated rhythms using muted strums. • Learn how to move accents around within
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Overton Flyweight 500 Micro Amp Review

January 9, 2013
With so many well-thought-out features in such a budget-friendly package, Overton has taken a step in the right direction with the Flyweight 500 micro amp.
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PRS 408 Maple Top Electric Guitar Review

January 9, 2013
With its comfortable but substantial neck, artfully and precisely built body and hardware, and vast array of timbres, the PRS 408 Maple Top is an amazing tool for carving out a very individual tone.
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Way Huge Supa-Puss Pedal Review

January 9, 2013
If you’re a guitarist who wears a lot of hats—ambient texturalist one night, roots rocker the next—the Supa-Puss analog delay may just be the one pedal that stays in your rig for every occasion.
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Recording King RO-310 Acoustic Guitar Review

January 9, 2013
Recording King’s new Adirondack-spruce-and-mahogany RO-310 is almost a greatest-hits fusion of popular OM and 000 features.
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Pigtronix Infinity Looper Pedal Review

January 9, 2013
Infinity Looper in Series mode, moving between verse and chorus sections on loops 1 and 2. Epiphone Sheraton and Vox Pathfinder used for all loops and leads. On the
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Diary of a So-Called Shredder: Doom in E Minor

January 9, 2013
Combine picking techniques with the E-minor scale for big monster licks of doom.
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