August

Sound Samples

Epiphone 1962 Sheraton E212T Semi-Hollow Guitar Review

February 4, 2013
The new Epiphone 1962 Sheraton E2125 is one of the coolest convergences of vintage feel, playability, and value we’ve seen in a long time.
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Carvin HH2 Allan Holdsworth Electric Guitar Review

February 4, 2013
Boasting a headstock-free design, all-in-one bridge, tailpiece, and tuner assembly affixed to its tail end, Carvin''s new HH2 will evoke thoughts of Steinberger for many.
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DIY: Yuri Landman's Flying Double Dutchman Crunch Project

January 30, 2013
Experimental luthier Yuri Landman shows us how to turn a cheap axe into a raging sonic ghost ship with just a handful of parts and a generous helping of reckless abandon.
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Brad Paisley: Concepts and Techniques

January 30, 2013
Playing a pink Paisley Tele through vintage amps with multiple delays, Paisley has re-ignited country soloing. By combining wide intervals and chromaticism with pizzazz, he has enticed us to pry at how he’s pulling it off.
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Rhythm Rules: 16th-Note Accents

January 16, 2013
Chops: Intermediate Theory: Beginner Lesson Overview: • Develop a strong command of 16th-note rhythms. • Create syncopated rhythms using muted strums. • Learn how to move accents around within
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Overton Flyweight 500 Micro Amp Review

January 9, 2013
With so many well-thought-out features in such a budget-friendly package, Overton has taken a step in the right direction with the Flyweight 500 micro amp.
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PRS 408 Maple Top Electric Guitar Review

January 9, 2013
With its comfortable but substantial neck, artfully and precisely built body and hardware, and vast array of timbres, the PRS 408 Maple Top is an amazing tool for carving out a very individual tone.
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Way Huge Supa-Puss Pedal Review

January 9, 2013
If you’re a guitarist who wears a lot of hats—ambient texturalist one night, roots rocker the next—the Supa-Puss analog delay may just be the one pedal that stays in your rig for every occasion.
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Recording King RO-310 Acoustic Guitar Review

January 9, 2013
Recording King’s new Adirondack-spruce-and-mahogany RO-310 is almost a greatest-hits fusion of popular OM and 000 features.
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Pigtronix Infinity Looper Pedal Review

January 9, 2013
Infinity Looper in Series mode, moving between verse and chorus sections on loops 1 and 2. Epiphone Sheraton and Vox Pathfinder used for all loops and leads. On the
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Diary of a So-Called Shredder: Doom in E Minor

January 9, 2013
Combine picking techniques with the E-minor scale for big monster licks of doom.
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Fretboard Workshop: Move Beyond Pentatonics with Six-Note Scales

January 2, 2013
Jimmy Herring shows you how to break up predictable patterns by visualizing scales all over the fretboard.
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FuzzHugger(fx) Pocket Arcade Pedal Review

January 2, 2013
The Pocket Arcade combines fuzz, oscillation, octave, and modulation to offer a wealth of weird tones in a tiny, compact form.
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Carr Bloke Amp Review

December 26, 2012
A powerhouse throwback to raunchy classic rock tones with Carr''s signature quality and responsiveness.
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Copilot FX Cubic Bass Octave Pedal Review

December 26, 2012
It’s no secret that a bass-octave pedal can work wonders for beefing up thin tone. Likewise, the contrast between the deeper sub-octave and dry signal can add a whole
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Acoustic Adventures: Rhythm of the Heart - Tackling the Bridge in “Rhythm” Changes

December 18, 2012
Work on your internal timing with Pete Huttlinger''s arrangement of "I''ve Got Rhythm."
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Mesa/Boogie Tone-Burst, Throttle Box, Grid Slammer, and Flux-Drive Pedal Reviews

December 18, 2012
Rather than trying to stuff too much in a single unit, the company has designed pedals that serve up specific flavors of overdrive.
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Fingerstyle Boot Camp: “Bring a Torch, Jeanette Isabella” Arrangement

December 11, 2012
Learn this 16th-century French Christmas carol, in dropped D-plus-G tuning.
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Jackson SLATXMGQ3-6 X-Series Soloist Electric Guitar review

December 11, 2012
The SLATXMGQ3-6 combines famed Jackson playability with EMGS and a sub-$1,000 price point for high-gain versatility.
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Ashdown Classic Tube Magnifier CTM-300 Amp Review

December 10, 2012
Capable of delivering clean and responsive to overdriven tones, Ashdown''s CTM-300 is an an all-tube, 300-watt beast that boasts some modern enhancements, while still giving a nod to the amps of old.
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